Elliott Abrams Quotes
I first met Kim Dae Jung when he was a Korean dissident whose life was threatened by the military regime ruling in Seoul. I was Ronald Reagan's Assistant Secretary of State for Human Rights, and Kim was directed to me because the East Asia Bureau at the State Department had long shunned him.
Quotes to Explore
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What clients are really interested in is honesty, plus a baseline of competence.
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It's always hard when you're playing someone for a lot of people out there who are going to see the movie after reading the books. There's a communion between a reader and the writer, so people will have an idea who Sirius Black is and I might not be everyone's idea of that.
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Your dresses should be tight enough to show you're a woman and loose enough to show you're a lady.
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Phrases that have historical significance or become headlines don't just magically appear in the moment. They are mindfully planned.
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'Dangerous' is an album that I was very dedicated to. I wanted every song to be a hit.
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Give a boy address and accomplishments and you give him the mastery of palaces and fortunes where he goes.
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When I was younger, I wanted to marry early, like at 23. Year by year, I found things I wanted to do, and the thought of marriage disappeared. But I don't want to marry too late. Around 31?
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I was so opposed to the war in Vietnam that I initially refused President Nixon's urgings for me to go there.
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For almost a century since 1918, the centralised nation-state has been the world's default political form. Its various experiments in industrialisation, urbanisation, mass literacy and consumerism have brought more people into public life.
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I am not a method actor, though I studied for a year with Lee Strasburg.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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My aunt took me to see 'Salad Days' when I was seven. This story of a magic piano that infects everyone who hears it infected me, too. It was a Road to Damascus moment in my life.
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I have a very rich and wonderful personal life, and at its core are my sons.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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I've always maintained - a captain is only as good as his team. It is not about my leadership, it is not about me.
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We take a lot for granted as second wave feminists, what our mothers and aunts did for us.
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I don't want my faith level to go up or down. And so I don't fear.
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I know that I am very popular in Holland, in fact I have visited Amsterdam several times to publicize my books. I have a great publisher in Holland and they have published all of my books in Dutch.
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Don't expect Barton Biggs to be offering his market insights on 'Bloomberg News' anytime soon. His plumber, maybe.
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What sets 'Archie' apart from the many, many times I've reworked and rebooted long-standing characters is that this time, it was really scary.
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I thought, "If I could bring these characters [Wonder Boys] to life and lead the audience to react the same way I did, this could be a really special picture." Then I read Michael's [Chabon] novel and got even more enthusiastic about it.
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'There is often greater martyrdom to live for the love of, whether man or an ideal, than to die' is a motto of the Mahatmas.
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Chemotherapy is just medieval. It's such a blunt instrument. We're going to look back on it like we do the dark ages.
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I first met Kim Dae Jung when he was a Korean dissident whose life was threatened by the military regime ruling in Seoul. I was Ronald Reagan's Assistant Secretary of State for Human Rights, and Kim was directed to me because the East Asia Bureau at the State Department had long shunned him.
