Elliott Abrams Quotes
The Assad regime has lost the consent of the governed, and it is difficult to see how a replacement Alawite regime would be able to regain this consent.
Quotes to Explore
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The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
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It's the technique, I think, of writing a novel that is difficult for a nonfiction writer.
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I can't bear to see myself even in movies. The feeling is complex. I can't stand the sight of myself.
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I was never offended that people underestimated me because of my appearance or that they thought I was pretty and discouraged me from fighting because they didn't want me to risk hurting my looks.
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I'm more of an artist and a songwriter than I am a DJ. That word seems a little bit - well, it doesn't really describe what I do.
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I shop at a lot of vintage stores because the prices are amazing, and I love the idea that there's a history behind the piece I'm wearing.
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Music I can discover a part of myself that I haven't been able to for a long time, and acting is the opposite. I'm in love with both of them and I would never choose one over the other.
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No two wars are identical.
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Fresh out of college, you tend to join a company because it's a job. But, you tend to stay because it becomes a career; you start to feel at home. In the beginning of your career, you're focused on you: 'I like this place because I'm doing rewarding work; they take good care of me; the people are nice; there's runway for me,' etc.
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No one is fit to judge a book until he has rounded Cape Horn in a sailing vessel, until he has bumped into two or three icebergs, until he has been lost in the sands of the desert, until he has spent a few years in the House of the Dead.
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Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress.
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If you're fortunate enough, you get to a position where you can be a little pickier about your roles.
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When I saw rappers in the '90s cameo in films - all of those '90s rappers - it seemed like whenever you chucked a rapper in a film, they could just act. It seemed like all rappers could act.
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If you realize too acutely how valuable time is, you are too paralyzed to do anything.
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I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
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I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter.
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We are ready for any unforeseen event that may or may not occur.
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My heroes were all in the theatre.
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Children, I grant, should be innocent; but when the epithet is applied to men, or women, it is but a civil term for weakness.
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I think I've learned not to take everything so seriously and just try to focus on the work the most.
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I've learned .... That opportunities are never lost; someone will take the ones you miss.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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For us there's U2 music, and then there's everything else.
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The Assad regime has lost the consent of the governed, and it is difficult to see how a replacement Alawite regime would be able to regain this consent.
