Elvis Mitchell Quotes
Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.
Elvis Mitchell
Quotes to Explore
I'm not Mr. Mom, but there's just certain things I won't say anymore.
Randy Houser
Some kids go walking in the mountains, but I just went to the cinema. So when I told my parents I wanted to be an actor, even though this wasn't normal for Arab kids or anyone in the town, they were sort of expecting it and were very supportive.
Tahar Rahim
I don't read the press, I don't watch endless music TV.
Ed O'Brien
Radiohead
Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
Wayne Coyne
My sole focus is to help bring a World Cup back to the U.S.
Abby Wambach
I feel like there's such a responsibility, when you make a film, to enlighten people, to make them think, to make them laugh, or even just to be entertaining.
Parker Posey
My first professional audition as an actor was when I was about 12 years old, and it was for a children's television show called 'M.I. High,' which I ended up doing for two years.
Bel Powley
You know, real life doesn't just suddenly resolve itself. You have to keep working at it.
Viggo Mortensen
I'm just so lucky - my office is a racetrack. That is something I'm very thankful for. It's exciting, and it's challenging, and there are a lot of emotions and nerves that come with it, but right there before the gates open, before that minute and a half or two minutes of the race, it just hits you.
Chantal Sutherland
Old age is not a total misery. Experience helps.
Euripides
Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.
Elvis Mitchell