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It's true that a smile can take years off a person - not that such a thing matters in Yoko Ono's case.
Elvis Mitchell -
For years, Ono's work - musical and otherwise - was, in large part, dismissed and derided; at best, it was often misunderstood.
Elvis Mitchell
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We want to see ourselves - but differently. We want to see these dream versions of ourselves. We want to be surprised; we want to be entertained. I think primarily, especially in this country, we ask that movies entertain us, which seems to be something they're less and less likely to do on a continual basis.
Elvis Mitchell -
You can't ignore the Asian and Hispanic populations in L.A. We can let audiences know independent film is not just about white men.
Elvis Mitchell -
'Plan Nine From Outer Space' for a new generation, 'Battlefield Earth' is set in the year 3000, after the beings from the planet Psychlo have conquered our planet in only nine minutes.
Elvis Mitchell -
Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.
Elvis Mitchell -
Just the idea of seeing a type of narrative we've not seen before is a chance to be surprised.
Elvis Mitchell -
The Wachowskis' use of space rivals that of musical directors like Gene Kelly and Mark Sandrich.
Elvis Mitchell
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Justin Lin, the writer and director of the teenage-wasteland drama 'Better Luck Tomorrow,' a shrewdly tense piece of storytelling, recognizes that sometimes it's good for a filmmaker to stir up trouble.
Elvis Mitchell -
Establishing mood through pictorial means is the director Ridley Scott's most notable talent. There may be no working director more accomplished at wringing texture out of the color blue than the prodigious and now prolific Mr. Scott; you'd swear that with his dazzling washes of blues and sand tones, he was inventing additional hues on the spot.
Elvis Mitchell -
I thought that, as a black audience member, I would like to see something that reflected an experience that's not normally exhibited in documentaries, or is so much about black people as victims in this country, and black people not taking control of their own lives and their own destinies.
Elvis Mitchell -
Since most of 'Mean Girls' consists of the outsider Cady observing the tribal rites of her new setting and laying it all out in narration, this movie is just like home for the meticulous and ruthless deadpan that Ms. Fey has perfected for the satirical 'S.N.L.' newscast in which she and Jimmy Fallon are the anchors.
Elvis Mitchell -
I dress well. I travel; I seem to be relatively glamorous for a film guy - which, to me, is like being the fastest midget in the circus.
Elvis Mitchell -
With his compulsively slamming lyrics and king-of-the-world delivery, DMX intuitively echoes the existentialism of the projects of the novelist Donald Goines.
Elvis Mitchell
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The kind of filmmaking excitement that director Peter Weir brings to movies is bone deep.
Elvis Mitchell -
Stewart's interest in serious acting gives her something in common with Theron - and, like Theron, some of her most provocative work has come through working with women.
Elvis Mitchell -
I've been cheered by the reaction to what I've done with Film Independent at LACMA and the organizational support I've received in pursuing it.
Elvis Mitchell -
'Black Hawk Down' has such distinctive visual aplomb that its jingoism starts to feel like part of its atmosphere.
Elvis Mitchell -
A stand-up comedian who's assaultive and decent and has managed a career that has spanned over five decades deserves a documentary.
Elvis Mitchell -
Selling tickets at the Bing Theater at LACMA was my first job in L.A.
Elvis Mitchell
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In 'Training Day,' Mr. Washington's dry-ice grandeur - the predator's reflexes contrasting with a pensive mouth - deserves regard, and his powerhouse virtuosity will almost guarantee him an Oscar nomination.
Elvis Mitchell -
LACMA has the imprimatur of art, and that's a big leg up.
Elvis Mitchell -
One of the funniest things about Mr. Kaufman is that all of his filmed scripts - 'Being John Malkovich,' 'Human Nature,' 'Adaptation' and now 'Sunshine' - sound like titles from REM's 'Reckoning.'
Elvis Mitchell -
It may be a bit early to make such judgments, but 'Battlefield Earth' may well turn out to be the worst movie of this century.
Elvis Mitchell