Elvis Mitchell Quotes
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Watching daring, high-tech criminals in action, I have the same thought that probably occurs to other moviegoers: if these guys just held on to some of the money they spend on equipment, they wouldn't have to turn to a life of crime.
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Stewart's interest in serious acting gives her something in common with Theron - and, like Theron, some of her most provocative work has come through working with women.
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Each country has its own way of communicating a narrative and, through that, expressing family experiences in emotional stories.
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Ali was the African-American who exulted in saying exactly what he was capable of, and the bouncing-boy braggadocio of hip-hop is impossible to imagine without him. So it makes sense that one of his spiritual children, the sunny-dispositioned rapper turned actor Will Smith, would play him.
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Inarritu's own nomination for Best Director for 'Babel' was the first such honor for a Mexican director.
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'8 Mile' could do without an unnecessary class swipe. In a final throwdown, Rabbit clowns a competitor by revealing that the guy went to suburban Detroit Cranbrook, one of the finest private schools in the country.
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My style icon has always been Sidney Poitier.
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Mike Mignola's 'Hellboy' comics have a drizzly, musty gothic ambience - the same fetid air that H. P. Lovecraft circulated in his fiction.
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The pleasantly crude 'Hall Pass' reminds us of what's been missing from movies: Those squirm-inducing moments in comedy that produce enough discomfort that, at points, what we're watching is half a heartbeat away from a horror film.
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Though finally overwhelmed by a preening lassitude, 'Hotel' is never less than fascinating, breaking into multiscreen scenarios like Mr. Figgis's 2000 experiment, 'Timecode.'
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The funniest thing in the world to me is the idea of a white guy in his thirties going, 'Wait - I'm going to go into hip-hop.'
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In the early '60s, it was still a fairly subversive thing, though, to say that you should take a painting, cut it, set it on fire, step on it, hammer nails into it.
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'Old School' is so breezy it could be a late-night talk show, especially when Craig Kilborn, of 'The Late Late Show,' sidles into camera range as a particularly loathsome competitor to Mitch.
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I love the Museum of the Moving Image, and I like the idea of bringing artifacts of the cinema into a museum.
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Inarritu's films focus on the repercussions of a single act that draws people together and simultaneously throws their lives into chaos.
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If somebody wants to attack my work, that's one thing - that, I'll respond to.
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There's a great deal of echoing going on in 'Old School.' Mr. Piven, who played the upstart outsider in the 1994 campus comedy 'PCU,' has crossed over into playing the stiff martinet.
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The Ebert thing just didn't work out. We just couldn't, like, come to an agreement. And 'Movieline', they obviously didn't want me, because they fired me.
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It would be hard to make a movie worse than the first 'Ocean's Eleven,' the 1960 Lewis Milestone film.
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You know what? As a black person, you see so much racism. Films are no different than the government, politics - it's everywhere. It's not exclusively film. It's infuriating to see it in film. But my being in film changes things.