Elvis Mitchell Quotes
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In period films, it always helps to have someone built to carry a sword, and Channing Tatum clearly hasn't missed a workout for the past two years, so he fits the bill in that regard.
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When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.
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The world may not be ready yet for the film equivalent of books on tape, but this peculiar phenomenon has arrived in the form of the film adaptation of J. K. Rowling's 'Harry Potter and the Sorcerer's Stone.'
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The film's star, Eminem, doesn't appear to have a great deal of range, but he can play himself. Even though the protagonist is named Jimmy Smith, the thoughtful '8 Mile' is a raw version of the rapper's own story.
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I saw Berry in concert a couple of times in the late '70s - and like almost every North American male of a certain age, I went because a friend was hired by Berry that very day to be part of the legend's backup band.
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If a movie requires the lead actor to spend a good chunk of his onscreen time talking to himself, and Popeye is unavailable because of contractual disputes, it's hard to do better than Johnny Depp.
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'Plan Nine From Outer Space' for a new generation, 'Battlefield Earth' is set in the year 3000, after the beings from the planet Psychlo have conquered our planet in only nine minutes.
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That's a part of success: figuring out what success means to you.
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Sean Penn has never become the lighter, laughing guy.
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Tarantino thinks the Bing is a great room for comedy.
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'Black Hawk Down' has such distinctive visual aplomb that its jingoism starts to feel like part of its atmosphere.
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When an actor commits himself to a role as fully as Russell Crowe does in the grandiose and silly 'Gladiator,' you may ask yourself why and at the same time thank him for his absorption in the part.
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A lot of the time, you see all this ambition from these black actors, and it's just pouring off the screen. Because they don't often get a chance to work, and when they do, they don't usually get a chance to work with other black people.
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Just the idea of seeing a type of narrative we've not seen before is a chance to be surprised.
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Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'
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Miramax seems to be showing the same faith in Roberto Benigni's 'Pinocchio' that the Republican Party showed in Trent Lott; the live-action version of Carlo Collodi's fairy tale about the wooden puppet whose only ambition was to be a real live boy was sneaked into theaters Christmas Day.
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Often, when Jim Carrey plays it straight, all of the vitality is drained from his face; he looks like a root-canal patient trying out a pleasant expression for his oral surgeon.
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'Certifiably Jonathan' contrives crises for its subject - a bid to get his paintings into MOMA, among others.
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In 2013, when it turned out that the plot of LaBeouf's short film 'HowardCantour.com' (2012) had been purloined from graphic novelist Daniel Clowes's 2007 comic 'Justin M. Damiano', the actor-director responded with a series of tweet apologies that also appeared to be shoplifted.
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Scene by scene, you can't help being impressed by 'Mean Girls;' it's like a group of sketches linked by a theme, with some playing much better than others.
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Given the knee-jerk patriotism of recent war movies, it's discouraging to see 'Windtalkers' evade pertinent facts that could have recast the doubled-edged issues of racism and loyalty and made them relevant to contemporary times.
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I'm honored to be asked by Stephanie Allain - whom I've long admired - to add to the scope of my programming purview at Film Independent. I salute David Ansen for his work with the festival and look forward to continuing to follow his example.
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Do you remember where you were when Michael Jackson and Farrah Fawcett died?
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I thought that, as a black audience member, I would like to see something that reflected an experience that's not normally exhibited in documentaries, or is so much about black people as victims in this country, and black people not taking control of their own lives and their own destinies.