Emanuel Celler Quotes
In our house we repeated the pattern of thousands of other homes. There were a few books and a lot of music. Our food and our furniture were no different from our neighbors'.
Quotes to Explore
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Producing food to eat is the single most destructive environmental activity humans engage in.
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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Anytime you hear different things - whether it's trade rumors or people saying you're not living up to your complete potential - you're obviously going to get ticked off about that.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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If we're going to go really deep, we're all trying to live forever. My music is my way of doing that.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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I'll see a celadon green room in an 18th century New Hampshire house and just fall in love. Colors stay in my head.
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Everyone's like, 'Oh, you must live in L.A., the glamorous life,' and I really don't. I'm in a small house, in Pittsburgh, in the snow.
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When you're no longer ill, and everyone's gotten over the fact that you've had cancer, that core of steel doesn't go away, and then I had to find other channels for it.
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I just like to explore all sorts of different forms - no, 'explore' is not even the word - enjoy. You don't want to limit yourself to a particular form.
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My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.
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Any quality player can adjust well to the different demands. It is like a good tennis player who is expected to adjust to the clay at the French Open, the grass at Wimbledon, the hard courts of the U.S. and the heat of the Australian Open. A professional is expected to do all that.
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Music is part of the life of fashion, too.
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I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
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I feel like our fans identify with us because they're like, 'I'm her,' or 'I don't look like any of them, but I'm different like them.'
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Another thing I learned is that novels, even those from apparently distant times and places, remain current and enlightening, and also comforting.
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What I have learned is that designers are willing to tell the world that they are here to empower women from all different backgrounds and different walks of life.
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If I were to write my title like going through the airport and you have to put down what you do? I would literally write ‘creative genius’.
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In our house we repeated the pattern of thousands of other homes. There were a few books and a lot of music. Our food and our furniture were no different from our neighbors'.
