Billy Joel Quotes
When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.
Quotes to Explore
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Only time, education and plenty of good schooling will make anti-segregation work.
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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I love Johnny Cash but I don't love country music that much.
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When I went to see Kansas and Queen and Styx, I don't even remember the music. But I know what I saw.
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This is a way for artists to communicate directly to their fans. If you think of an artist like Bruno Mars, he's using Spotify, creating playlists and listening to music through it.
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I like to release music the way I feel it, as opposed to having a date. The idea of dates, boxes, categories are very scary for me.
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I don't tend to set out on huge world domination goals or have anything in mind. I just like to play. I like to gig a lot; I like to write music.
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It's my job to make sure that the people I'm gonna team up with for my music see everything that I'm about: Put all my cards on the table and don't make them guess.
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The opera is to music what a bawdy house is to a cathedral.
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We are so indebted to our ancestors, musically speaking, that they have left us 400 years of music.
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Gospel music always relaxes me and calms my nerves.
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I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
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Great law schools like Northwestern are here to expand the minds of their students, to allow them to achieve their personal goals, to enable them to contribute, to give back in ways that they could not without the education they receive here, and to help them make the greatest country in the world just a little more accessible, a little fairer.
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Our music attracts the people that we rap about and make music about, and they come out and actually do it.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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Music is what our feelings sound like.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression - these elements of my poetry are also elements of my prose.
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I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
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When I started music, I started out in Puerto Rico with classical music. But what really made me want to be a musician was jazz, and because I didn't grow up with jazz, I had to learn it from a very basic level. I had to go into the history and learn everything about the development of the music, all the players and all that stuff.
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Man, if I get a chance to speak on the microphone, I've got to say something somewhere in there. You know, I'm going to laugh and have fun, too, but something has to be said that has some substance, because this is a platform, and the power that we have with words and with this microphone is phenomenal.
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I'd worked for Aaron Spelling before Embraced and I always felt like we had a nice connection. I pretty much walked in and looked at him like, "This is mine!" And by the time I was done with the audition, he was already speaking to me as if I had the role.
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When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.
