Bipasha Basu Quotes
I am very proud of my role in 'Singularity.' It pushed me into the territory of period romance. It was a very emotional and challenging role.

Quotes to Explore
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In terms of my involvement in 'don't ask, don't tell' and marriage equality and anti-bullying and social emotional learning in schools - these are all things that arise out of my relationship with the world and with my fans.
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I'm stingy and I'm proud of the reputation.
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There are so many more women and men who deserve opportunities. People of color. Period.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I am proud of my career.
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I felt bad to have to get divorced. I wasn't proud of that.
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Attachment parenting demands not just certain actions you take with your baby but also certain emotional states to accompany those actions.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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I think society, in general, is hard on women, period.
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I am so proud to have the endorsement of a distinguished leader like Glenn Poshard.
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Songs like Reach and S Club Party are pop classics. I'm really proud that I had a part in them.
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America's peak years of indigenous innovation ran from the 1820s to the 1960s. There were a few financial panics and two depressions, to be sure. But in this period, a frenzy of creative activity, economic competition and rapid growth in national income provided widening economic inclusion, rising wages for all, and engaging careers for most.
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The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play.
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We're in a period of revolutionary change. I'm optimistic. One's self changes, and then the world changes. It's going to begin internally, not externally.
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I don't think a living being should suffer for the sake of fashion, period. End of story. You don't have to kill an animal just because you want to be hot and fly. And I really stand by that.
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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To me, it was a sad fate to have been born into a period and a world where everything was in tip-top order, and the only real excitement was to be found in history books and occasionally also in the paper.
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A swami may conceivably follow only the path of dry reasoning, of cold renunciation; but a yogi engages himself in a definite, step-by-step procedure by which the body and mind are disciplined, and the soul liberated.
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I was definitely different from the other kids... I was more ambitious. I knew what I liked and what I wanted, and I worked really hard. I was a very serious kid.
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Second City Las Vegas is very different from Second City in Chicago on the main stage, where they do improv sets. That's how they kind of hone material, kind of work up to new material.
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The truly great ones rely on substance, and not on surface, hold on to the fruit, and not to the flower.
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I cut a hole in my heart and wrote with the blood.
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I am very proud of my role in 'Singularity.' It pushed me into the territory of period romance. It was a very emotional and challenging role.