Emily Browning Quotes
I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other characters for a living.
Quotes to Explore
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As for my diet, I try to eat lean, clean and healthy - nothing too surprising. And I avoid too much meat or dairy because they slow you down.
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Cottonmouth is the result of having to react to his circumstances. He had to, in some ways, take control of the situation and own his circumstances. But as a result of that, he became a person he didn't intend to become.
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There are some parts of my life that are wonderful, and it's amazing to get to go to cool events and award shows and things like that, but I think the outside perception is that your life just changes overnight and you wear Dolce and Gabanna suits and drive a Mercedes. But life's just not like that.
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Writing is challenging work because it's so easy to get consumed with how it's going, what's going to happen to it, who's going to like or not like it. You want to get all of that stuff out of your head and just let the work flow.
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House was the first film where I had no influence on the script. I had to buy the script with the game rights.
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The Beduin could not look for God within him: he was too sure that he was within God.
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All fashion brands are about looking good. Being Human is also about doing good. And you can do good by the simple act of slipping into a t-shirt or a pair of jeans.
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We're passing on something of ourselves to others. I feel that's what makes our life full of meaning. It's hard to have meaning in a closet, encapsulated by nothing. I think you really have to expand yourself and your life and do what you can for other people.
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Immigrants use the library often. A lot of them don't have access to books and Internet at home. They seem so disconnected to the city.
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As a very young writer - kindergarten through about fifth grade - I most often wrote about black characters. My very early stories were science fiction and fantasy, with kids stowing away on spaceships and a girl named Tilly who was trying to get into the 'Guinness Book of World Records.'
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Before every show, we get into a circle, hold hands, and someone makes a speech. Most bands are too cool for that.
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Growing up, I'd just be at home, playing tennis, spending my allowance on an ice-cream truck.
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I'm to a point now where you want to play for your fans and all that, but I'm playing for the guys in that huddle. I'm playing for the guys in that locker room.
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It's good to have to put yourself in someone else's skin. It's all-consuming.
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The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
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You have to take over your town in order to take over your city.
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I don't want to be someone else.
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Competition is like a treadmill. If you stand still, you get swept off. But when you run, you can never really get ahead of the treadmill and cover new terrain - so you never run faster than the speed that is set.
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I'm nosey, and I have a great imagination. So it's not necessarily things I have to go through, but it's things people I know or my family is going through, and I hear about it, and I think, 'That sounds like a great song.'
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I was terrified, terrified in 'Songwriter,' because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
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As soon as one of my records goes on, it makes a vast portion of the public nervous. They get spooked by it. To some people who have ears to hear, it's a delightful, refreshing change. But to most of the public, it's a load of homemade-sounding nonsense.
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I started Little Athletics when I was five years old, but my Olympics dream started when I was 10 years old.
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I was badly bullied when I was in the seventh grade - relentlessly, mercilessly - by a group of 12-year-old girls. And it left me with a determination that no matter what, I had to throw my shoulders back, stick out my chin, and project a sense that no one and nothing could hurt me. That turned out to be a life-changing mistake.
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I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other characters for a living.
