Debbie Reynolds Quotes
Quotes to Explore
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I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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Everyone thinks I land in a chopper on top of my building and I have the most cushy existence. Could you understand that I might have the most messed up life myself?
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Fishing provides that connection with the whole living world. It gives you the opportunity of being totally immersed, turning back into yourself in a good way. A form of meditation, some form of communion with levels of yourself that are deeper than the ordinary self.
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Your life, your circumstances change, and you have to continue to grow as a person, and once you have means and opportunity, you have to make different choices to protect what you have.
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When you have all these traces of trash moving around, you can ask yourself how can we make the system more efficient. Then we can make better decisions. And perhaps we will not throw away the plastic bottles that go every day to the dump.
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I feel like, sometimes, people, because of the amount of media, because of the amount of attention, people seem to think I have to do things. Like, I have to win right now! But I don't feel like that.
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I'm not a sun person.
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A good opening and a good ending make for a good film provide they come close together.
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Where fear is present, wisdom cannot be.
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There are certain things you don't discuss with Ansel, especially if you don't agree.
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South Africa is highly politicised; even small issues become politicised, and it becomes quite bitter.
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Be realistic and truthful - and tell Hong Kong businessmen honestly that they should go for long-term investments since it is unlikely money can be made in the short haul.
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It's not what you wear it's how you wear it, is what I say.
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To start with, pharma was an industry based on innovation, drug discovery.
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We've got so many stories to tell, you know, we could take on the world.
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I won't leave any unfinished manuscripts.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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I shot 'Blue Valentine' on 16mm for the past, and for the present on the Red Camera. I feel that both formats are valid. The stories should dictate the format we shoot on. Filmmakers should have a choice.
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I literally grew up in drama. I used to watch drama - the catharsis of the play - then see drama at home.
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A pretext-not a cause-is sufficient for us to enter the "solitary situation", the situation of the dreaming solitude. In this solitude, memories arrange themselves in tableaux. Decor takes precedence over drama. Sad memories take on at least the peace of melancholy.
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Lots of people have gone from public housing to do great things in the world and have a tremendous sense of duty to their fellow man because of it.
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There were some tragic cases of women whose love was abused, who for a certain time procured important documents or information, not knowing who for, what service they worked for, and for a variety reasons got jailed, were tried and sentenced.
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Drama's unhappy, and playing someone unhappy would make me unhappy.
