Debbie Reynolds Quotes
Quotes to Explore
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I had to endure the worst time of all in terms of racial discrimination in Hollywood when I first started out. It was inconcievable to American directors and producers that a Mexican woman could have a lead role.
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Every astronaut flew into space for a living. But while NASA has not solved the security problems, I would not put me back into a shuttle - and no other astronaut. The confidence is shaken.
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My favorite film is probably the finale - 'Deathly Hallows: Part 2'.
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From the ashes of a financial crash, there is a chance to create a new economic settlement that is more equal, sustainable and democratic.
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It's pretty hard to make out what's going to be a commercial success and what's not.
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Whenever he saw a dollar in another man's hands he took it as a personal grudge, if he couldn't take it any other way.
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I never believe them when they say that because you really have to sort of be aware of what's going on in the news in order to get the jokes on the show.
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There's something so soothing about the hum of Grand Central Station.
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There's a group of people - maybe the secular Taliban is a good name for them - who have morphed this idea, that you have to accept my values being every bit as cherished as your values. That's not tolerance... There are too many things in this world which we sit back and tolerate.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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At times, training at home is a distraction, so training in Big Bear was a really good change.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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The first person who showed me that I could be a maker of music was one of my best friends. It's like, you can't see yourself doing something until you see somebody else doing it. Other people were encouraging me singing, but this was the first time that I could see myself writing songs and playing guitar.
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With brain and body, it's great if you have a connection between the two, but when separated, that leads to a lot of conflict.
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There is always a type of man who says he loves his fellow men, and expects to make a living at it.
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The ideas and practices of Franz Anton Mesmer, an 18th-century Australian healer, had spread to the United States and, by the 1840s, held the country in thrall. Mesmer proposed that everything in the universe, including the human body, was governed by a 'magnetic fluid' that could become imbalanced, causing illness.
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I don't mind playing spoiler.
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The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
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The work I did on 'Killing Kennedy' was very meticulous and, in some ways, actually tedious. It was hard work because there is so much known about John F. Kennedy and Lee Harvey Oswald. To try to distill that into a clear narrative that's interesting and tells two great stories was a real challenge.
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Than farewell riches, the fat is in the fire, And neuer shall I to like riches aspire.
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I can remember just learning to walk and trying to dance like Elvis and sing like Elvis, so I was very, very passionate about music at a very young age.
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The physical business of writing is unpleasant to me, but the psychic satisfaction of discharging bad ideas in worse English makes me forget it.
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I loved Fred Astaire's way of dancing. He led you into the dance.
