Dylan Taylor Quotes
The case for sponsorships in commercial spaceflight is compelling and could dramatically impact the economics of space tourism. Global brands are looking for fresh, new ways to position themselves on the leading edge of their categories.
Quotes to Explore
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Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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It's hard for us to really understand the immensity so far of the conquest of space.
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Acting is about going into the space, and there are just some places that I'm not willing to go.
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I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.
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A broad trend I'm completely obsessed with is mobile commerce. Like completely. I'm completely convinced that everybody's going to be buying from their mobile devices. Whoever can claim that space or be in that space, I'm very interested in.
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I've worked with a couple of these really cool, great actors like Ted Danson and Glenn Close. They all have their own presence when they walk into a room, and I was excited to see what Tom Selleck's 'space' was going to be like.
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The reason that I'm here at all is because of my relationship with my family and their encouragement of me to be a musician and to work hard. As long as I stay there in that space, I can do anything. That's my truth.
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Organising free and fair elections is more important than the result itself.
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We think of divinity as something infinitely big, but it is also infinitely small - the condensation of your breath on your palms, the ridges in your fingertips, the warm space between your shoulder and the shoulder next to you.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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When I do outdoor scenes, I tend to find a quiet space where I can sit and carve a walking stick that can turn out to be interesting for me.
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The San Gabriel Valley, stretching from Pasadena to Pomona, is especially starved for open space. The valley has a rich array of ethnically diverse communities, but it also has some of the highest rates of childhood obesity and diabetes in the state.
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I love sci-fi. Growing up, I was a big fan of the 'Alien' series, 'Star Trek: Deep Space Nine,' etcetera. Plus, anything apocalyptic - 'I Am Legend,' '1984,' 'Battlestar Galactica.'
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For the first time in history all the major countries in the world are pushing together to reach this goal... building something in space that is really for all humankind.
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I've become a workaholic. When the shows slow down and there's no press and I can get my time to myself in the studio with my music, I get into this zone, man. I enter this incredible space where I'm just making music. And I feel like I can work with anybody - with Elton John, with Hanson - and I can make something incredible.
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When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
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I always begin a room with the rug; it is literally the foundation of the space. I then go on to the furniture.
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Regular panelists on shows can be terrifying. They own that space, and many guest comics suspect they are favoured in the edit, while their own hilarious jokes end up being ejected into the ether.
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They had clearly feared turn-of-the-century irrationality-religious overzealousness on one side, destructive hedonism on the other, with both heated by ideological intolerance and corporate greed.
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I have been raising money for the past 14 years for diabetes research.
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The case for sponsorships in commercial spaceflight is compelling and could dramatically impact the economics of space tourism. Global brands are looking for fresh, new ways to position themselves on the leading edge of their categories.
