Dylan Moran Quotes
Quotes to Explore
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I don't know how old I was when I started writing books. But, I was born in 1931, and I wrote my first book in 1961.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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When improv is bad, it's excruciating to watch, and to be involved with it is a unique type of torture.
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Writing for the theater, you find yourself living a nocturnal life.
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My friends and I were wild and we liked to joy-ride.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road - you simply have to go a little further down the track. That has not been my experience.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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I was at a slight disadvantage in that I had never played in bands or done any performances before, and that's just as important as writing, recording, and putting records out. It's been a lot of hard work, balanced with a lot of pinch-myself moments of touring in crazy parts of the world.
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The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good.
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I always joke that my kids' favorite holiday is Father's Day. They love the way I celebrate the occasion by writing each of them a thank-you letter and a generous check. It's my way of letting them know how much I appreciate the great pleasure and privilege of being their dad.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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When you're in the day-to-day grind, it just seems like it's another step along the way. But I find joy in the actual process, the journey, the work. It's not the end. It's not the end event.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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The fascination for me writing about crime in Berlin was the idea that there was this much bigger crime taking place in the background, a fantastically epochal moment in history which is just going on. That just sort of makes the whole thing have a greater resonance.
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I'm really annoyed by the wave of country music that's just a list of stuff. It almost sounds like L.A. people writing country music, because it's just a list of stuff: 'My pickup truck and my cowboy boots and my Levi's jeans and my girlfriend with the short shorts.' It's so boring!
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I used to write out of angst. My writing was quite miserable, quite angry, even when it was funny. It was based on this sadness and tired emotional disdain for the world.
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It is positively spooky how the physicist finds the mathematician has been there before him or her.
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My philosophy is: if you don't bear a cross, you can't wear a crown so you gotta go through some form of humiliation to reach tribulation.
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We are both drawn to surreal situations so the writing was a joy.
