Dylan Moran Quotes
Quotes to Explore
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Yeah I'm still writing. I've got about 14 tracks now. But we've been on tour so we haven't had time to get back to a rehearsal place.
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Of course watching a particularly exciting game or a wonderful contestant is always a joy.
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I don't know how old I was when I started writing books. But, I was born in 1931, and I wrote my first book in 1961.
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Writing is an exploration. You start from nothing and learn as you go.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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When improv is bad, it's excruciating to watch, and to be involved with it is a unique type of torture.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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Writing for the theater, you find yourself living a nocturnal life.
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My friends and I were wild and we liked to joy-ride.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
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A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road - you simply have to go a little further down the track. That has not been my experience.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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I was at a slight disadvantage in that I had never played in bands or done any performances before, and that's just as important as writing, recording, and putting records out. It's been a lot of hard work, balanced with a lot of pinch-myself moments of touring in crazy parts of the world.
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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
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There aren't a lot of 'Aha!' moments in writing.
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I believe that contentment or any sustained period of joy that doesn't inspire thought that leads to action almost immediately is useless.
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Teaching was great for me, because I got to show people how writing can really change the way you see not only yourself but the world.
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I definitely love to be scared. It draws the primal side out of you.
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The ideas of an age are most abundant where they are not crowded by original ideas.
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One of the things about my ministry is that I have never branded myself as being above the people or superior to people.
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We are both drawn to surreal situations so the writing was a joy.
