Poppy Z. Brite Quotes
I certainly wanted to write a book that was honest about New Orleans without explaining it to death, so much so that the first draft contained references absolutely incomprehensible to anyone who hasn't lived here for several years.
Quotes to Explore
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I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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Whenever you choose power over love, you will never find true happiness.
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For me, the whole process involves envisioning this book in my head as I'm working.
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I'm not expecting the American literary community to welcome me with open arms. To them I'm just some schmuck kid who wrote some book.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
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It's easier to release an ebook than a print book.
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Death and I are head to head in a total collision, pure and mutual distaste.
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I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.
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Even though people may be well known, they hold in their hearts the emotions of a simple person for the moments that are the most important of those we know on earth: birth, marriage and death.
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It is the vice of a vulgar mind to be thrilled by bigness.
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I have two daughters: One an open book, one a locked box. So the question of privacy is a challenging one. How much do kids need? How much should we give? How do we prepare them to live in a world where the very notion of privacy opens a generational chasm?
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A comprehensive marketing plan involves both online and offline efforts to use and broaden your existing platform to promote your book.
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When it comes to jump-starting the intricate machinery of recollection, there's nothing more effective than the scent of approaching death.
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I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.
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I try to do that in this book without preaching - to try to do as you just said that you really have to defend the First Amendment rights of everybody.
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Then is when I decided to take it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.
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Gothic script seemed to warp every letter that passed through the door of the funeral parlour, as if death were a German village.
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There's a shot that I designed to try and illustrate the scale of the Death Star that's sort of framed in close on the equatorial trench as Krennic's ship is leaving. The camera's pulling back, and you start with it framed so you can kind of see those docking bays that are in that trench.
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Many a book is like a key to unknown chambers within the castle of one’s own self.
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Many political experts have told me that nobody will vote for me because America is not ready for such decisive and dynamic leadership. They tell me these things, and I say nay to the negative nincompoops who never nourished the nihilistic nerve to name a novice to nail down the nomination.
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A gifted humanity can only produce skeptics, never saints.
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I certainly wanted to write a book that was honest about New Orleans without explaining it to death, so much so that the first draft contained references absolutely incomprehensible to anyone who hasn't lived here for several years.
