Martin Amis Quotes
Quotes to Explore
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There was the time I bought three cars in the span of three or four weeks. It was crazy; it wasn't greedy. It was mine, my girl's, my mom's. I got Benzes for my ladies. But I felt crazy. You have to understand I come from a world where we're very modest. But that's not greedy. That's nice, right?
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In the music business, I found it was much more about interviews, photo shoots and appearances rather than actual performing, which I do best.
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IM is interesting because you look at your buddy list and, at a glance, see what your friends are listening to, what they're working on, what they're doing. The problem was that you were bound to the computer keyboard.
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We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
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When I wrote 'Green, Green,' it was like a really a statement of where I was at philosophically in my life.
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Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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Virtually all of Darfur's six million residents are Muslim, and, because of decades of intermarriage, almost everyone has dark skin and African features.
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I've always enjoyed making people laugh. But in order for me to be funny, I have to get ticked off about something.
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A man builds a house in England with the expectation of living in it and leaving it to his children; we shed our houses in America as easily as a snail does his shell.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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My partner has to have good sized bones.
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When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
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Anything that happens in your life was meant to happen. It is your destiny. I was destined to have the life I have now, and I can't have any regrets.
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I hated school so bad. I only liked art class during high school. I was always smart.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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I think the phrase that resonates from 'Just One Year' is something I sort of live by: 'The truth and its opposite are flip sides of the same coin.'
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Sometimes, I even recite the role to the actor if it's not clear. And I beg them not to imitate me, because I'm not a good actor.
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In our culture, security has become an obsession.
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The federal government has gone too far on many nonessential regulations that are harming small businesses. Employers are rightly concerned about the costs of these regulations - so they stop hiring, stop spending, and start saving for a bill from the federal government.
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They say every writer really just writes about one thing over and over. I guess my one thing is how the past impacts the present.
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You don't cheat anybody out of their experience, whatever it is.
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Being inoffensive, and being offended, are now the twin addictions of the culture.