Martin Amis Quotes
It occurs to you that Ulysses is about cliché. It is about inherited, ready-made formulations - most notably Irish Catholicism and anti-Semitism. After all, prejudices are clichés: they are secondhand hatreds . . . Joyce never uses a cliché in innocence.
Quotes to Explore
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On my 50th birthday in 2005, my discount-wielding AARP card came in the mail. I hurled it in the trash, put on something fabulous, and had a decadent meal. Just the thought of putting it in my wallet felt like a concession.
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I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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My husband believes that he can make a difference. He loves people.
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A number of people in the United States, almost everyone, is using plastic cards to pay for things, but it's extremely difficult to accept these cards. So let's make it's easy and take more and more of the friction out as we can.
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There is something terribly morbid in the modern sympathy with pain. One should sympathise with the colour, the beauty, the joy of life. The less said about life's sores the better.
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As a person, to inspire some young girls and give them something to look at and give them something to play for, I think is such a great position to be in. I'm glad that I can follow all of the great Korean players' footsteps.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
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Any chance to get out and play live for some people and get out of the studio is nice.
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My greatest strength as a child, I realize now, was my imagination. While every other kid was reading and writing, I had seven whole hours a day to practice my imagination. When do you get that space in your life, ever?
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I prefer the country life. I live in Kingston, but there is lots of trees.
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Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
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There is no hard and fast rule as to what makes a successful state-owned enterprise. Therefore, when it comes to SOE management, we need a pragmatic attitude in the spirit of the famous remark by China’s former leader Deng Xiao-ping: 'it does not matter whether the cat is white or black as long as it catches mice.'
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Intolerance is the besetting sin of moral fervour.
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Blow the dust off the clock. Your watches are behind the times. Throw open the heavy curtains which are so dear to you - you do not even suspect that the day has already dawned outside.
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Whosoever is delighted in solitude is either a wild beast or a god.
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That's what I liked about hitch-hiking. If a crowd wasn't big enough, I kept walkin.'
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The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.
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I'm a black-and-white type of dude. If you say something, I believe you're gonna do it.
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My dad was a very funny man - he's the one who taught me life would be awfully hard without humor! I'm sure his Irish wit in some way influenced my decision to become an actress.
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The basic policy of the British Government was that since the majority of people in Northern Ireland wished to remain in the United Kingdom, that was that. We asked what would happen if the majority wanted something else, if the majority wanted to see Irish unity.
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It occurs to you that Ulysses is about cliché. It is about inherited, ready-made formulations - most notably Irish Catholicism and anti-Semitism. After all, prejudices are clichés: they are secondhand hatreds . . . Joyce never uses a cliché in innocence.
