Martin Amis Quotes
It occurs to you that Ulysses is about cliché. It is about inherited, ready-made formulations - most notably Irish Catholicism and anti-Semitism. After all, prejudices are clichés: they are secondhand hatreds . . . Joyce never uses a cliché in innocence.
Quotes to Explore
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On my 50th birthday in 2005, my discount-wielding AARP card came in the mail. I hurled it in the trash, put on something fabulous, and had a decadent meal. Just the thought of putting it in my wallet felt like a concession.
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I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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My husband believes that he can make a difference. He loves people.
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As a person, to inspire some young girls and give them something to look at and give them something to play for, I think is such a great position to be in. I'm glad that I can follow all of the great Korean players' footsteps.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
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Any chance to get out and play live for some people and get out of the studio is nice.
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My greatest strength as a child, I realize now, was my imagination. While every other kid was reading and writing, I had seven whole hours a day to practice my imagination. When do you get that space in your life, ever?
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I prefer the country life. I live in Kingston, but there is lots of trees.
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Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
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There is no hard and fast rule as to what makes a successful state-owned enterprise. Therefore, when it comes to SOE management, we need a pragmatic attitude in the spirit of the famous remark by China’s former leader Deng Xiao-ping: 'it does not matter whether the cat is white or black as long as it catches mice.'
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Intolerance is the besetting sin of moral fervour.
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Whosoever is delighted in solitude is either a wild beast or a god.
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You start out with your eyes wide open, and you've got dreams, and we worked really, really hard, and ours came true. So - and we're fortunate enough to keep putting out number one records, and we're fortunate enough to get out there and keep playing, and we truly have a blast.
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I would never run for any office or government position. I'm not into it.
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I'm labeled a comedic actor, which is awesome. But I love getting the occasional dramatic role, too. Some of your best dramatic actors are ultimately comedians.
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I remember seeing 'Falsettos' on the Tonys in '92 and being like, 'What the hell was that show?'
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Evil people naturally assume that you will use that power exactly as they would use it.
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Los Angeles has interested me for a long time. I was in Texas for five years, for the same reason. I wanted to photograph there.
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Once in my childhood I had been eager to learn Irish; I thought to get leave to take lessons from an old Scripture-reader who spent a part of his time in the parish of Killinane, teaching such scholars as he could find to read their own language in the hope that they might turn to the only book then being printed in Irish, the Bible.
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TheyAustralians've all kinds of accents, but you can never mistake their voice. It's got the sun in it. Canadians have got grinding ice in theirs, and Virginians have got butter. So have the Irish. In Britain there are no voices, only speaking-tubes.
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It occurs to you that Ulysses is about cliché. It is about inherited, ready-made formulations - most notably Irish Catholicism and anti-Semitism. After all, prejudices are clichés: they are secondhand hatreds . . . Joyce never uses a cliché in innocence.
