Dustin Yellin Quotes
As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
Quotes to Explore
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The only thing that's going to free Huey is gun powder.
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God grant you the strength to fight off the temptations of surrender.
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I come before you to declare that my sex are entitled to the inalienable right to life, liberty, and the pursuit of happiness.
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For someone with a background of economic justice, what scared me about climate change is not just that the sea level will rise and we'll have more storms - it's how this intersects with that cocktail of inequality and racism.
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I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
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I wouldn't say no to becoming a Bond girl. Making it in Hollywood has been my dream ever since I was little, watching Marilyn Monroe movies. To star in a Bond movie would be bliss on a stick.
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Inevitably, I think the people that want to work with me are also the people that I want to work with.
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I was at one time a football wife, and there is a certain level of bonding that happens between women who are the wives of football players.
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It feels like a game, this work I do. It is totally heartfelt, and I love the sticky terrain, the straight-up cartoons, how the irrepressible and icky rise to the surface. But I am not just trying to call forth bugaboos and demons for the sake of it, for fun.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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If you'd have told me five years ago that I'd have done all this – two books, some television and everything – I'd panic, I'd be scared.
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There are a lot of dynamics and a lot of politics that go into records and getting played on the radio.
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I can change a light fixture, and I can do certain things. But I'm really bad in terms of construction. I can't do any of it on my own.
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I'm a plodder, one foot in front of the other. Life is all about understanding that anything that can go wrong, will go wrong. And it's your ability with how you deal with that adversity that ultimately affects your success.
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It's like having astronomy without knowing where the stars are.
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I have many debates now with friends on the changes, and the continuing confusion over bringing up your children, instilling values, letting them make the right choices.
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Things can change only through strong personalities. I am not very good at supporting ignorance and mediocrity, so maybe this leads to arrogant gestures and arrogant responses. So, nobody's perfect.
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It's interesting – in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
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Unlike fuel-economy standards, the most common method of reducing demand for oil over the past thirty years, a gas tax doesn't tell people what kind of car to drive. It simply raises the price of gasoline and lets people adjust their behavior accordingly.
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Bring your work back to the workshop twenty times. Polish it continuously, and polish it again.
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If I'm feeling down in the dumps, or like I need a pop of colour, I'll put on MAC's Lipstick in Lady Danger. I discovered red lipstick when I did the Oscar season: Chanel sent me one and I realised how classic and glamorous it can be.
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All the other kids in ninth grade were drawing hot rods and cocker spaniels and getting blue ribbons in art class. I was getting rejection slips from the 'Saturday Evening Post.'
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As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
