Dule Hill Quotes
I'm a little concerned I'm always going to be playing a black guy, you know what I'm saying?
Quotes to Explore
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The highest compliment I could ever receive about my kids - and I can say that this does happen frequently - is when the in-flight crew say to me, 'Your children are wonderful. They are so well-behaved.' Every time I am told that, I could weep.
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I have to protect myself because people think that because you come into 25 million homes every week, they know you. I walk the line between being gracious and being rude.
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I am not an angry guy. It's just the roles I do that impact my personality.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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I pretty much make time for that weekly manicure.
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Violence is a big problem. Too many children are dying. Too many children. We must do something.
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I was gonna go broke if I didn't get things turned around real fast.
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The directories businesses still make nothing but money. They're overleveraged, they're bankrupt entities, but they still are the largest. This is all going to move online over time. Why Citysearch and Service Magic are so important to us, is because nobody has really colonized it yet completely.
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Woman begins by resisting a man's advances and ends by blocking his retreat.
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I am a walking piece of art every day, with my dreams and my ambitions forward at all times in an effort to inspire my fans to lead their life in that way.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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Anyone who takes himself too seriously always runs the risk of looking ridiculous; anyone who can consistently laugh at himself does not.
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At the height of the British Empire very few English novels were written that dealt with British power. It's extraordinary that at the moment in which England was the global superpower the subject of British power appeared not to interest most writers.
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I am a morning writer; I am writing at eight-thirty in longhand and I keep at it until twelve-thirty, when I go for a swim. Then I come back, have lunch, and read in the afternoon until I take my walk for the next day's writing.
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From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy.
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I think there are a lot of reasons to be critical of the media in America.
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As I read more and I got into philosophy and met a lot of friends who weren't Christians, it became difficult for me to sustain the belief structure in the supernatural.
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There's something extraordinary about selling millions and millions of albums.
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A lot of people are afraid of the idea of enslavement, and that's because it's tied to so much shame and guilt... That is the big elephant in the room, but a part of why we're afraid to attack that subject matter is because of the way we've been taught about it.
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There are interesting forms of difficulty, and there are unprofitable forms of difficulty. I mean, I enjoy some difficult poetry, but some of it is impenetrable and I actually wouldn't want to penetrate it if I could, perhaps.
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Colonialism is an idea born in the West that drives Western countries - like France, Italy, Belgium, Great Britain - to occupy countries outside of Europe.
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Sometimes I worked with just a background of a rock or a tree or black velvet, and just had to imagine the whole thing.
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I was a feature one time and they gave me host money. When I called to complain the guy goes "no you didn't feature, you co-hosted". He literally invented a term so he didn't have to pay me. And obviously that check bounced!
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I'm a little concerned I'm always going to be playing a black guy, you know what I'm saying?
