Saint Basil Quotes
The bread you store up belongs to the hungry; the cloak that lies in your chest belongs to the naked; the gold you have hidden in the ground belongs to the poor.
Quotes to Explore
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Cuba needs a dose of perestroika.
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I think it's more important than ever to be as vocal as I can be about things I believe in outside of music.
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Now I am not against widgets, those small third-party applications that people can put on their Web pages on social networks like Facebook and MySpace, in general.
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About half the people at Valve have run their own companies, so they always have the option not just to take a job at another game company, but to go start their own company. The question you always have to answer is, 'How are we making these people more valuable than they would be elsewhere?'
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You possess a potent force that you either use, or misuse, hundreds of times every day.
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Haredi youth are smart, and they are going to bring a big benefit to the high-tech industry.
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I wasn't interested at all in doing a documentary. I was not a public figure.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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By 1990 I went back to no gasoline; I was just riding around on my bike, taking the bus. I had a tiny little electric car that didn't go very far or very fast. People thought I'd lost my mind. Even my own family thought I'd lost my mind.
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When I had my first child, I started to try and make fresh food for him daily, and I became frustrated with the amount of work - and time - involved in making baby food at home.
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She told me that she would support me regardless of what I decided, but I'm so glad that I actually got to be a kid before having to grow up. My mom knows best about this kind of thing.
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People tend to compartmentalize themselves into IT people, and movie star people, and scientists, but when we share our perspectives about nature, we find a common denominator.
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We are a total of our sum parts, right? I came from a family of very strong women - black women. And if I go back as far as my great grandmothers, there was always that love and the ability to be nurturing. Then I grew up in a household where my father was the one who was more affectionate with me.
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In Singapore, there is this life and locals and restaurants and then big casinos and an array of chefs, and even Miami is almost close to Vegas when it comes to an amazing presentation of chefs. But they don't have these massive hotels that have become their own culinary villages.
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I won't leave any unfinished manuscripts.
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My grandmother knitted me a crochet top when I was 15. I still fit into it and will never give it away.
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I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
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Insurance companies pay big bucks for procedures but next to nothing for patient consultations and preventive medicine, which is what most medicine is.
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I have to be inspired to write a song.
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Reich and John Cage were pretty big influences on this record (Folie A Deux) in weird ways in that you wouldn't necessarily hear any of it - nothing ends up sounding like either of them, but I think just methodology and things like that ended up on the record in various ways.
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Many people misunderstand me - I'm quite happy to be called a photographer. All of a sudden, the art world has caught up with photography, and they are trying to hijack us.
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That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
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The bread you store up belongs to the hungry; the cloak that lies in your chest belongs to the naked; the gold you have hidden in the ground belongs to the poor.
