Emily Weiss Quotes
At 'Vogue,' I was responsible for a lot of production work, and production work is highly detailed, and you have to be very resourceful to fit a square peg into a round hole. I learned to push the envelope when it comes to asking questions or making requests.
Quotes to Explore
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I'm not even sure I have a style! All I know for sure is I don't want to look like everyone else.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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As a unique person, I was bullied badly as a teen.
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I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.
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The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities.
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People often try to disguise televisions. I always think that makes it worse. It is what it is!
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I put on whatever is comfortable on me. Suit, jeans and tee as long as it's comfortable. It doesn't matter what brand. If it looks good I buy it.
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I didn't have a sweet tooth, but I liked butter, and I liked sauces, and I liked wine... and curry... and cheeses.
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I'll tell you, I never thought I'd ever be going into law, and certainly not the same kind of law as my dad.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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I can't touch Simon anymore.
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I love listening to pop radio.
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Extremism is always potentially dangerous, but in Hungary's political reality, Jobbik and the other far-right parties have no chance of having a major influence.
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I love Chicago. It's one of my favorite cities, hands down.
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I am a scientist. Mine is a professional world that achieves great things for humanity.
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I have the rare privilege of talking to my dad every night at 10 p.m. and hearing about what he did that day.
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I like doing my own stunts.
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Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
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Our life comes in segments, and we have to understand that we can have it all if we're not trying to do it all at once.
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There is no substitute for hard work.
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I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
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I'd happily just stay on the road. Getting home from America, sitting in my kitchen with a cup of tea, staring out of the window is pretty depressing. I didn't have a tour manager to tell me what to do so I had to start reaching out to people and making plans. That was hard. You become very vegetable-y.
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Working within the limitations of the shared world generally made the writing easier, because I didn't have to invent any of the characters or background, which is usually the hardest part.
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At 'Vogue,' I was responsible for a lot of production work, and production work is highly detailed, and you have to be very resourceful to fit a square peg into a round hole. I learned to push the envelope when it comes to asking questions or making requests.
