Emily Weiss Quotes
I approached fundraising as an opportunity to align myself with partners who have more varied experience and diverse backgrounds than I do to help bring Glossier to life.
Quotes to Explore
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The earth laughs in flowers.
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In this era in which we live, the old-fashioned virtues grow increasingly unpopular.
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The chemotherapy was very peculiar, something that makes you feel much worse than the cancer itself, a very nasty thing. I used to go to treatment on my own, and nearly everybody else was with somebody. I wouldn't have liked that. Why would you want to make anybody sit in those places?
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I paint objects as I think them, not as I see them.
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You see movie stars advertising all sorts of things today for whatever reason. And it may be that it affords them the luxury to do smaller movies or to go and do a play. Because, otherwise, you have to keep doing movies where you get paid millions and millions of dollars to maintain a certain lifestyle.
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I've got a 12-year-old grandson who, when he was 3 years old, before he could say many other words, could name the different kinds of dinosaurs.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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Back in the 1960s, I got a superb education for very little money. The bill for my first year at Harpur College in New York was a few hundred dollars.
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But I'm more interested in why people are frightened by Jaws and why Jaws was such a hit than saying Spielberg's my main influence.
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I try to photobomb as much as possible.
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I have this first album that sells more than 100,000 copies in its first week, debuts at number two, goes gold, the single goes platinum, we're doing Madison Square Garden.
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I think the sidekick makes the number one look good.
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Everyone should have a moment with Ron Howard in their life to give you faith in our industry.
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You can almost taste the pressure now.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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My family runs a little art gallery back in Cornwall, so flashy cars and things like that have never really been particularly interesting to me.
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When I do work, I feel the same sort of urgency as I ever did. If I didn't feel that, I don't think I would wish to be doing it. I wouldn't really see the point.
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Novelists have to be adept at controlling the flow of information, and, most crucially, they have to be in charge of the narrative.
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I did apply for drama school when I was 17, and I didn't get in; I had a really bad audition.
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It's only a few nutcases who do art for themselves, like Van Gogh.
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Growing up it was the exception because I was maybe the only one in my school or my circle of friends that had that experience. But now that I know more people in the industry, I am realizing this happens to almost everybody.
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I write because I have authority from life to do so.
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Our first half is about how to make a living, and our second half has the promise of being about how to make a life.
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I approached fundraising as an opportunity to align myself with partners who have more varied experience and diverse backgrounds than I do to help bring Glossier to life.
