Emmanuelle Beart Quotes
Quotes to Explore
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I've never been able to understand what they mean by 'Pinteresque,'. I'm sure it's indefinable.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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My paternal grandfather Rustom Mehta had a huge influence on me because of his ethics and his values.
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I want my shows to be eerie and mysterious.
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For it is mutual trust, even more than mutual interest that holds human associations together. Our friends seldom profit us but they make us feel safe. Marriage is a scheme to accomplish exactly that same end.
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I believe a lot in monogamy, let me tell you.
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I've always liked working really hard and then doing nothing in particular. So, consequently, I didn't overexpose myself; I guess I maintained a kind of mystery. I wasn't ambitious.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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I was authorized to do everything that I did.
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You can really taste the difference between a shop-bought and a good homemade mayo.
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I don't want to build any image for myself. I don't want people to say, 'He does only a certain type of role.' I don't want only to be the hero of the story. An actor's weakness is the different roles that he can't do. But I am keen to grab only those roles as I am here to challenge myself.
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I'll tell you what's helped me my entire life. I look at baseball as a game. It's something where people can go out, enjoy and have fun. Nothing more.
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My first album was completed in three months.
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I've only chosen films that offered me something concrete, even if it is less than what I get to do in the South.
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I'm a character actor, and I made a choice when I was young, after 'Mystic Pizza', not to go for the mainstream stuff, and to do a more eclectic kind of route.
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In 2009, I served as AARP's Ambassador of Caregiving. With a producer and cameraman, I traveled the country for months, interviewing hundreds of caregivers.
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The public needs to know - they need to know as much about atrial fibrillation as they do about cancer and diabetes.
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You cannot reduce the power of story with the tag of money because it's not a share market. So you must know the seriousness of the power of storytelling.
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The nation is faced with one of the most corporate-orientated anti-consumer Congresses in our history.
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What is a good enough principle for an American citizen ought to be good enough for the working man to follow.
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This is the sense of the desert hills, that there is room enough and time enough.
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What I feel most strongly here being in Congress is kind of the burden - the good burden - of representing all of our military.
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I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.
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I wouldn't say I was a rebel as such, but I certainly wasn't right at school.
