Debra L. Reed Quotes
Broaden your work experience - either within your company or through your job progression in other companies.
Quotes to Explore
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
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Hard work is not why I have been successful as a model.
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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I want to play in as many theatres as possible, work with as many brilliant people as possible, but definitely do a new play.
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Age is relative. Experience is relative. And I think often intensity is confused with maturity.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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I'm an actor that likes to go to work. I like going to work every day. I'm a worker by nature. I'm not someone who does one film a year and feels satisfied by that.
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I had a bad experience doing public speaking at school. I had to talk about a pen for five minutes and it was really hard work. I couldn't wait to get off the stage.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
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I get paid to go work with people I've admired since forever, and I get to learn from them? What? I would pay to go sit and be a fly on the wall!
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When I'm out there, you just have to react. That's why you work on those throws. When you're in the moment, you can't think to yourself, 'How do I get this to go 47 yards and be 2 yards inside the sideline?'
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One of the ongoing themes in my work, I hope, and one of the things I believe in, is a sense of human nature, a sense of shared humanity above the cultural layers we place on ourselves [which don't] mean that much compared to the human experience.
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Not only the entire ability to think rests on language... but language is also the crux of the misunderstanding of reason with itself.
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I'm a very, very healthy eater. I eat lots of fish, lots of vegetables, lots of fruit. I don't eat junk food.
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But today the quickest way to save your bottom line is to cut off research.
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It's difficult for any single company to develop all the applications and services.
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Broaden your work experience - either within your company or through your job progression in other companies.
