Debra L. Reed Quotes
Broaden your work experience - either within your company or through your job progression in other companies.
Quotes to Explore
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
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Education must not simply teach work - it must teach Life.
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Hard work is not why I have been successful as a model.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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In New York, you walk everywhere, so you're amongst people all of the time, and everybody is in a hurry and going somewhere or has something on their minds. And in L.A., it's still much more of a laid-back life, at least in my experience.
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I want to play in as many theatres as possible, work with as many brilliant people as possible, but definitely do a new play.
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Age is relative. Experience is relative. And I think often intensity is confused with maturity.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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I'm an actor that likes to go to work. I like going to work every day. I'm a worker by nature. I'm not someone who does one film a year and feels satisfied by that.
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I had a bad experience doing public speaking at school. I had to talk about a pen for five minutes and it was really hard work. I couldn't wait to get off the stage.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
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What I took away from my 'Flashforward' experience is that when you're doing a serialized mythology show, you put your foot on the gas, and you do not take it off.
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The first step in solving a problem is to recognize that it does exist.
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I can't believe that I get to stand on the stages I stand on every summer, and get to sing the songs that I sing.
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The more I read about the rules the great orators used, the more I realised, of course, this is how you stir people's hearts, and you persuade and cajole and move people out of fixed positions. The techniques are quite menacingly easy.
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Broaden your work experience - either within your company or through your job progression in other companies.
