J. D. Salinger Quotes
Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her.
Quotes to Explore
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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I vowed I would do everything I could to stop the Isle of Man counting towards the world championship. And it was stopped, so they love me in the Isle of Man.
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A 90-minute time frame is not long enough to tell a good female story, and that's why long-format television has become so great for female storytelling and for female performers and directors and writers.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.
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While teaching a course on global development at Uppsala University in Sweden, I realized our students didn't have a fact-based worldview. They talked about 'we' and 'them.' They thought there were two groups of countries: the Western world, with small families and long lives, and the Third World, with large families and short lives.
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I've made a kind of pact with myself where I said, It doesn't matter what it is as long as I'm acting.
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It is high time that the Palestinian people restore their freedom and independence. It is high time that the decades, the long decades of suffering and pain would stop.
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Spoon feeding in the long run teaches us nothing but the shape of the spoon.
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I was an avid tomboy, and as long as I could ride my bike just as fast, hit the ball just as hard, and catch just as many garter snakes, I was accepted as one of the boys and enjoyed all the perks of superiority.
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In working with those who are dying, I offer another human being a spacious environment with my mind in which they can die as they need to die. I have no right to define how another person should die. I'm just there to help them transition, however they need to do it.
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The simple truth is, the short-term solution is for the FDA to allow more importation of safe vaccines from other nations. But the long-term solution is to get more vaccine production within the U.S.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
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Fans are all I care about - to be honest. If they stop coming to the shows, then I will get worried.
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Although lynchings have steadily increased in number and barbarity during the last twenty years, there has been no single effort put forth by the many moral and philanthropic forces of the country to put a stop to this wholesale slaughter.
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I feel that if you really want an Oscar, you're in trouble. It's like wanting to be married - you'll take anybody. If you want the Oscar really badly, it becomes a naked desire and ambition. It becomes very unattractive.
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In a temple everything should be serious except the thing that is being worshiped.
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I don't like laziness or cutting corners.
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Friedan: There was a masculine mystique, too.
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Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her.
