J. D. Salinger Quotes
We are, all four of us, blood relatives, and we speak a kind of esoteric, family language, a sort of semantic geometry in which the shortest distance between any two points is a fullish circle.
Quotes to Explore
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In my life, I wanted to feel tall. I wanted to be somebody. I wanted to be tall as the Sears Tower. I wanted to be on top of the Sears Tower. I wanted to be as strong as the Sears Tower feels.
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When I look at my life, I see that I wanted to be free of the physical plane, the psychological plane, and when I got free of those I didn't want to go anywhere near them.
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It's nature-nurture, right? I've been nurtured by Californians.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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Fashion breaks my heart.
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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
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The West has become the world model; developing countries are dreaming of living like us, which is impossible. They should reject our model, because it is not sustainable. Developing countries should even give us the example, but unfortunately that's not what happens.
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My touchstone for every question is the Constitution.
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It's often the death of the show when you break the tension and the two lead characters get together.
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I fell in love with theater there, and after graduation I moved to Los Angeles to pursue acting.
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At school I got teased because I was so thin and awkward-looking. But the girls on TV looked similar to me. I would say to my mum, 'The girls at school are teasing me, but I look like those girls on TV.'
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There was a bit of a comparison that Bret was making between Vince McMahon and my dad. He looked up to Vince as a dad and stuff, and it was a shame to see the whole thing end the way it did.
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I caught up on a lot of just domestic normal everyday stuff, and grew up a lot, and went to therapy, and did a lot of contemplating and figuring things out. I needed to just strip everything away and figure out who I am and get to know myself, as cheesy as that sounds.
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I still haven't found the humor in getting hit by a cement truck. My knees still hurt when I think about it, so no jokes about that yet.
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Keeping in touch with the people that matter is important.
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You can't get there alone. People have to help you, and I do believe in karma. I believe in paybacks. You get people to help you by telling the truth, by being earnest.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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I've had the good fortune and blessing to run for the offices for which I really wanted to do the work.
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Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
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Bochy is my guy. He raised me in the game; I was 20-years-old and as green as any grapes as you've ever seen on a vine. He took care of me, taught me how to be a professional, and taught me how to get my work done.
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All working parents should have paid family leave. That's one of many reasons I'm working to elect Hillary Clinton. She has a plan to guarantee workers - men and women - up to 12 weeks of paid family leave to care for a new child or a seriously ill family member.
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It's understandable why TV hasn't been diverse because a lot of TV writers are white dudes from Harvard. And white dudes from Harvard aren't going to immediately want to write about trans issues. They're not immediately going to want to write about a Filipino family.
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We are, all four of us, blood relatives, and we speak a kind of esoteric, family language, a sort of semantic geometry in which the shortest distance between any two points is a fullish circle.
