Dee Rees Quotes
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You don't have to make yourself look like people expect you to look.
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We have to create a range, and we have to let there be possibilities. And basically, by showing there are different types of people, you write down the monolith. You stop having to represent for all black people when you allow there to be different types represented.
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It's okay to be yourself and to love and accept yourself however you are.
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For 'Pariah,' people were surprised Kim Wayans was there, but comedians have a dark streak; they're comedians for a reason.
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My first job was at Proctor and Gamble in Cincinnati, my second job was at a pharmaceutical company in Berkeley Heights, New Jersey. My third job was at Palmolive. And I realized, three jobs in three years, maybe it wasn't the job. It had to be me.
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Culture - art, music, literature - is the long game, because it's the way to change people's ideas in a more personal way.
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I'd go to lesbian parties. I felt like I wasn't hard enough to be butch, but I wasn't wearing heels and a skirt - I wasn't femme - so I felt like I was sort of invisible.
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Both grandfathers fought in different wars. My mother's father fought in World War II, and then my father's father fought in Korea. And they're both these country boys, one from rural Tennessee and one from rural Louisiana - and they never went back home.
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I can't put anything out that's not me.
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'Mudbound' highlights the fact that we're still battling a lot of the same issues as we were all of those decades ago.
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To me, if you can do the Wicked Witch live, you can play anybody.
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I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country.
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I'm interested in characters and relationships.
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History informs where we are and how we got here.
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You don't have to make your life look like anybody else says it should look.
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I think Charlottesville was shocking for some, but it wasn't for me or for my family, I mean, because I grew up in 1980s Nashville.
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For me, books were my source of affirmation. Alice Walker, Audrey Lord - it was these authors who wrote about their experiences. It was this weird thing where I was censored in terms of what I could watch but not in terms of what I could read.
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My ultimate dream was just to be an auteur.
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When I'm on set, I know what I want.
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I thought that marketing was a way to be creative in business but quickly learned all creative stuff happens at the ad agency.
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Nothing I do is didactic. I just want to hold up a mirror and say, 'This is who we are.'
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I remember one summer I played, like, with the granddaughter of this known Klan member. Like, all summer we caught cicadas. And we had grown close, and so it was, like, time for her birthday party and I said 'Oh, like, what time do I come for your party?' And she's like 'Oh, no, you can't come to my house 'cause my parents don't like black people.'
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I had this thing where I only wanted to work on original material, no adaptations, and obviously, that changed. I really wanted to have the resources and have the space and the time to tell stories that I've really cared about. I've kind of changed my approach, but I've gotten to do that, to tell stories that I really care about.
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With friendship, it's hard sometimes - you don't outgrow your friends, but you do question how people are friends to you in different ways and how it's okay to cultivate other relationships outside of that.