Del Shores Quotes
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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If I can't drive my old pickup to wherever I'm going, well, chances are good that I just won't go.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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I got to work with legendary director Garry Marshall.
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No man is a success in business unless he loves his work.
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I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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There are programs that don't work.
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Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
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I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
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I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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There's a particularly British wariness of appearing to try too hard. It's somehow distasteful. Everything should come to us seamlessly and, if you have to work at it, you're somehow a loser.
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It never dawned on me at any particular time of my life that people are paid tremendous money to sing.
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My parents were divorced when I was three, and both my father and mother moved back into the homes of their parents. I spent the school year with my mother, and the summers with my dad.
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I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance.
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I've always liked artists like Chris Burden, who would take performances, put them in galleries, and then do things that were on the edge.
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If you cast the right actor, it not only compliments your work, it elevates your work.
