Martin Landau Quotes
Quotes to Explore
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If you want to steal a base, steal a base. Don't make the hitter swing at a bad pitch trying to protect the runner.
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Our movements reveal a great deal about who we are. A record of our locations over time can reveal whether we go to tent revivals or radical political meetings, abortion clinics or AIDS doctors.
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Even though he's a third-generation San Franciscan, my father's very European in some ways, and he loves wine.
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When I was born, the doctor looked at my mother and said, 'Congratulations, you have an actor!'
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On the other side, I do believe that the rhetoric we are seeing from the Democrats today is unprecedented, is a new low in presidential politics and goes beyond political discourse and amounts to political hate speech.
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In the long course of history, having people who understand your thought is much greater security than another submarine.
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I don't see the Hurricanes relocating, period. I think the Triangle is a terrific market.
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I did have a knack for playing weirdos. There's still sort of this perception of me out there as being this crazy guy.
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I think that educators are in sales. Essentially, what you are doing is making an exchange with your class. You're saying, 'Give me your attention. In exchange, I'll give you something else.' The cash register is not ringing. It's not denominated in dollars or cents or euros, but it is a form of sales in a way. It is an exchange.
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I think listening to real classic soul material made me learn how to feel music that's sung.
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I love the whole process for each new album. The writing, the touring, everything. For me, it never gets old.
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I can be intense in a lot of ways, but not the way you see the guy in 'The Salvation.'
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Never give up, for that is just the place and time that the tide will turn.
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I never put on a pair of shoes until I've worn them at least five years.
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I happen to find motherhood a very natural state, but I know a lot of other people don't.
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I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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City Year resonated with me because when I grew up, we were poor - and an education is a way out of poverty. It's a way out of the current situation that can seem isolating and hopeless for some kids.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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Will darted back to the gutter, and picked up the knife, and the fight was over. The young man, cut and battered, clambered up the step, and saw Will standing above him holding the knife; he stared with a sickly anger and then turned and fled.
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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The free, creative, loving people who shine so brightly in my memory of studios and coffee shops have become models for a huge section of the population. If they in turn can just stay alive in the face of power and terror, they may become the decisive section.
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I can take scripts directly to actors. Agents don't like to hear that.
