Carla Bley Quotes
When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
Quotes to Explore
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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Marylanders are among the nation's hardest working and most educated people. We have universities and schools that are among the best in the nation.
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It's always humbling, knowing where we came from. From being friends with the janitor in the bar and being friends with the waitress - because they were some of the only people that were listening when we finished playing - to this, we are able to appreciate every single person and every single piece of it, because we came from nothing to this.
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People are like, 'Was it hard growing up mixed?' 'Did you not fit in?' and I'm like, 'No? What? That's the dumbest question ever.'
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A complainer is like a Death Eater because there's a suction of negative energy. You can catch a great attitude from great people.
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I think Delhiites know how to party, but Kolkata has people who know how to celebrate. I think that's the main difference.
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Most people think companies are basically evil. They get a bad rap. And I think that's somewhat correct.
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The people in the villages had turned in on themselves. You can understand it. When you have a bad day on the field, what do you do? Talk to your teammates.
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I would love to win the Champions League once again. Winning big trophies like the Champions League or the World Cup is usually making people think, 'The players are not hungry any more.' Still, that's not what I feel.
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To me, it's weird when people review improv at all.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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Our young people look up to us. Let us not let them down. Our young people need us. Saving them will make heroes of us all.
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I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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It's a matter of taking the side of the weak against the strong, something the best people have always done.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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There are no 'political prisoners' as such in Bahrain. People are not arrested because they express their views, we only have criminals.
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The people of the world can live together in peace. We know that is God's vision. Now, that must be our work here on Earth.
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People don't do good work when they feel like losers and are second-class citizens within their own company.
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I mean, I'm not unhappy, but there's still so much I want to do.
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Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads... She's a Renaissance woman.
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I don't have superstitions because I think sometimes they work against you because, if something happens to disturb them, you feel nervous.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
