Dennis Muilenburg Quotes
We treat the management-to-workforce relationship as very important and will continue to invest in that relationship.
Quotes to Explore
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Hollywood is the only thing more ridiculous than Silicon Valley. There's nowhere else where it's stranger.
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We talk about these legendary fighters, talk about how they had hundred-something fights, hundred-something victories... but when you look at the history books, I still beat more world champions than any fighter in history.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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The crew loves working on the show, even though we have to work really hard. There's nobody in the show that's difficult. We really have a great group.
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I was initially very interested in public policy, but then after my masters at Harvard, I felt that it was important to get a better handle on the economics of it as well. I did my Ph.D. in macroeconomics, and my thesis - 'Why Is It That Some Countries Save And Others Not?' - was on savings.
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I don't know how to ground myself without the other actor present.
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Takers believe in a zero-sum world, and they end up creating one where bosses, colleagues and clients don't trust them. Givers build deeper and broader relationships - people are rooting for them instead of gunning for them.
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I never thought of Kim Basinger in terms of age. For me she embodies woman with her subtleties and intricacies. She's sensual and intellectually engaging, elegant with a very strong personal style.
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I hate watching myself on film because I am so judgmental.
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Take, for example, the African jungle, the home of the cheetah. On whom does the cheetah prey? The old, the sick, the wounded, the weak, the very young, but never the strong. Lesson: If you would not be prey, you had better be strong.
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I went to Japan and I lived there. I lived in Mexico for a year. I went to Europe. I lived in Canada.
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An ounce of action is worth a ton of theory.
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You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
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I was always used to being centre stage - something that had its good and bad points.
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I didn't realize that winning the Olympics at age 14 automatically put me in the category of being a celebrity.
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The main problem is that for a boycott to be effective, you must first persuade thousands - maybe even millions of others - to go along, which is a lot of work and usually not successful.
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We've got a very difficult situation created by this embrace of the so-called Arab Spring. And that's not getting better. It's getting worse. The carnage for the people of Syria is horrific, and it's quite frankly too little, too late to reverse a lot of that.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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Could we see when and where we are to meet again, we would be more tender when we bid our friends goodbye.
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I learned Spanish at home and, since half my family doesn't speak English, it's my first language.
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Defeat creates orphaned thoughts.
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Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.
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We treat the management-to-workforce relationship as very important and will continue to invest in that relationship.
