Dennis Quaid Quotes
There's no way that I could do a 9 to 5 job. There's no way. I was not cut out for that. You come in and you work for three months on the one job. They say, 'Great,' you know, and you're on to the next one - and you never even got fired. It's wonderful.
Quotes to Explore
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Hizbullah is not a militia.
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Let a hundred flowers bloom.
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I don't think my mother and father ever had any doubts about what I was to be punished for or not. My parents come from a very strictly defined culture.
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I like to go to my simple cottage by the ocean or, really, any beach!
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It's something you dream about, working in Scotland, working in Glasgow, walking down the same streets I used to walk down when I was a drama student, daydreaming about being in an American TV show or doing something that was well known. I guess I sort of pinch myself.
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A record deal doesn't make you an artist; you make yourself an artist.
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I grew up outside Philadelphia, Pennsylvania, in a little town, and went to a regular high school. I was a... very average student in that high school. Then I joined the Navy, and while I was in the Navy, I was in a motorcycle accident and woke up deaf in a hospital.
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Stupidly it should not be. It should be also nice. One must get along with that. Is however not necessary.
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'Macbeth' was a very lucky play for me.
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With the greatest of respect, I have watched Apple from the day it started. I was publishing magazines about the Apple II before most people had ever heard what a personal computer was.
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The healthy man does not torture others - generally it is the tortured who turn into torturers.
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There's nothing that's impossible to me. You can ask my parents.
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My parents were ordinary people; we lived in a small apartment.
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Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story – my favorite records have a narrative feel.
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Everyone thinks when they start writing that they can't do it. I was lucky. My sister Delia was the most important person in terms of encouraging me.
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I don't talk about political matters. That's not my department.
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I just try to be myself, whatever that is. I don't think about how I'll be remembered. I just want to be consistent over a long period of time. That's what the great players do.
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I lived in South Africa until I was 11 when we first immigrated. My mom had sent me back there when I was 14 for summer vacation. I wasn't doing very well in school, my grades were slipping. I called my mom one day and told her that I wasn't coming back. I ended up staying there until I was 17 before coming back to North America.
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Revenge doesn't stop.
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When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'
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If you want to have great success, you'd better give them what they want, but so be it.
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The real trick to producing great work isn't to find ways to eliminate the edgy, nervous feeling that you might be swimming out of your depth. Instead, it's to remember that everyone else is feeling it, too. We're all in deep water. Which is fine: it's by far the most exciting place to be.
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There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.
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There's no way that I could do a 9 to 5 job. There's no way. I was not cut out for that. You come in and you work for three months on the one job. They say, 'Great,' you know, and you're on to the next one - and you never even got fired. It's wonderful.
