Dennis Rodman Quotes
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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I'm always on the phone because I'm usually not with the people I want to be with.
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As to the media, they are protected by the First Amendment, as they should be.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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I went to the Westminster College for Men in Missouri, which is what it was called back then, and transferred to the University of Denver where I ultimately got my degree.
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Banking gives you a glimpse into what makes companies succeed and what makes companies fail.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
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I would describe my look as 'ladylike rock chick.'
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I'm sort of the comic relief after a hard day at work. My message is that it's OK to relax.
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What you wear onstage is a reflection of your artistry.
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There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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Metaphors have a way of holding the most truth in the least space.
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The troubles of the young are soon over; they leave no external mark. If you wound the tree in its youth the bark will quickly cover the gash; but when the tree is very old, peeling the bark off, and looking carefully, you will see the scar there still. All that is buried is not dead.
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In my youth, growing up in a Jewish milieu, there was one thing we did not have to look for and that was exaltation. Every moment is great, we were taught, every moment is unique.
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'My beautiful Grandmother - Caroline Garlinghouse - came from Pittsburgh - my mother's mother. I never met her but I have followed many of her ideas - through my mother - And it has given me a warm spot in my heart for your city...My grandmother's brother, Fred Garlinghouse, lived in Pittsburgh, was an engineer and apparently worked for Jones & Laughlin.'
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Human nature was all about shifting blame...and responsibility. How else could you explain concentration camps and genocide and all the awful things people did to each other every day? They just carried on life and pretended like the evil didn't exist, as long as it was happening out of their direct view.
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My feet are like gnarled old tree branches.
