Derek Cianfrance Quotes
I shot 'Blue Valentine' on 16mm for the past, and for the present on the Red Camera. I feel that both formats are valid. The stories should dictate the format we shoot on. Filmmakers should have a choice.
Quotes to Explore
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The truth is, 'Charlie Hebdo' is not a racist magazine. Rather, it is a campaigning anti-racist left-wing magazine.
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I am not in the business of suppressing books.
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When I was rising eighteen I persuaded my parents to let me return to Australia and at least see whether I could adapt myself to life on the land before going up to Cambridge.
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It isn't often that the logic behind a policy is so clear. But when it comes to the value of educating girls, the evidence speaks for itself.
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I want babies. I think I'll be a great dad.
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I get cold - really cold - when I travel.
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There are lots of actors who insist on speaking the lines themselves, and you hear the same thing from directors and the audience, but I don't think it's worth getting het up about. I think it makes more sense to use someone who speaks that country's language: that's what voice actors are for.
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I want to be able to be a father to my kids, where I've never seen my father, but my kids can see me whenever they want, so that was broken.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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I never supported violence. Before the formation of TMC, I was a member of the Congress Party. Gandhi's Congress. Non-violence is a philosophy that runs deep.
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I can change a light fixture, and I can do certain things. But I'm really bad in terms of construction. I can't do any of it on my own.
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Moderate doesn't mean that you're a wimp - far from it. It means that you've chosen a path because you believe that's the only way for global harmony and peace.
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My sole focus is to help bring a World Cup back to the U.S.
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'Miss Rumphius' has been, perhaps, the closest to my heart. There are, of course, many dissimilarities between me and Alice Rumphius, but, as I worked, she gradually seemed to become my alter ego. Perhaps she had been that right from the start.
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I think that 'Lost' is a bit of a dinosaur in terms of the type of show it is. The economics just don't support making a show this big and complicated profitable enough for a network.
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I turn people into human beings by not making them into gods.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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My dad's funny. He's laid back and a cool guy.
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I remember someone saying to my mom that it must be so glamorous to have a child acting in movies. They had no idea how hard it was for her.
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It has always been a wonder to me where my conversational power has gone: at the present time, I cannot impress the most ordinary men.
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There is something beautiful about a billion stars held steady by a God who knows what He is doing. (They hang there, the stars, like notes on a page of music, free-form verse, silent mysteries swirling in the blue like jazz.) And as I lay there, it occurred to me that God is up there somewhere.
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I'm so fast I could hit you before God gets the news.
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It is an insult for me to have been alive through the times you are calling the so-called civil rights movement. I don't celebrate my humiliations and my insults.
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I shot 'Blue Valentine' on 16mm for the past, and for the present on the Red Camera. I feel that both formats are valid. The stories should dictate the format we shoot on. Filmmakers should have a choice.
