Pras Michel Quotes
Quotes to Explore
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Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'
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We want a story that starts out with an earthquake and works its way up to a climax.
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I ended up in the US for a month or so, before moving to Montreal with some Romanian friends.
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People are like, 'Was it hard growing up mixed?' 'Did you not fit in?' and I'm like, 'No? What? That's the dumbest question ever.'
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I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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Sometimes the kids come up with better endings than the real story.
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I think rap music is brought up, gangster rap in particular, as well as video games, every other thing they try to hang the ills of society on as a scapegoat.
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I brought in a yogurt master from Turkey. I went to Greece. I was always going back and forth, from New York to Turkey and Greece. The recipe we use has been around hundreds and hundreds of years. Growing up in Turkey, not a day would go by that we wouldn't eat yogurt like this.
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When you're warm and approachable, you don't have to go up and talk non-stop to someone in a social situation. You just have to be open to the conversations you're already having - and warm and receptive to the people you're meeting.
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Every little girl looks up to her mom so much - that's your first hero.
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Acting was something that I grew up just doing. I certainly never thought about it.
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Anormal day looks like, you know, shower, put on the same jeans, the same tattered Gucci loafers I got at the thrift store, white socks, and my t-shirt and my very beat-up Helmut Lang blazer. I'm in the exact same outfit every day.
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I live in Ireland near the sea, only one mile from where I grew up - that's good, since I've known many of my neighbours for between 50-60 years. Gordon and I play chess every day, and we are both equally bad. We play chatty, over-talkative bad bridge with friends every week.
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I don't care who you are or what you have gone through - everyone has something they are fighting for.
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I grew up with three little brothers. Every Christmas, we'd have piles of toy trucks and Lincoln Logs and G.I. Joes under the tree. Those were for them. For me? My No. 1 favorite present of all time: books. Two or three tall stacks of wonderful stories that I could lose myself in for weeks.
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Stand-up, by far, is my favorite.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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Wrestling was like stand-up comedy for me.
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The only advice I can give is to surround yourself with people who are friends and people who believe in you and your material and who are going to help you take it to the next level. It doesn't mean you don't listen to criticism, but you listen to it and edit it, and you figure out what you can take.
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To joke in the face of danger is the supreme politeness, a delicate refusal to cast oneself as a tragic hero.
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I don't think in a box. I think in a sphere.
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Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.
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When we came up with titles like Ready or Not, that's how we really felt.
