Nelson Algren Quotes
Quotes to Explore
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I've been writing a lot of poetry recently. It helps me think and work things out.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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There's no such thing as a writer's block. If you're having trouble writing, well, pick up the pen and write. No matter what, keep that hand moving. Writing is really a physical activity.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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Encourage aspiring writers to continue writing when things are going against them, when it feels hard. Explain the typical obstacles that occur, and encourage and reassure them to continue, never to give up.
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I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
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When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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Of mediumship there are many grades, one of the simplest forms being the capacity to receive an impression or automatic writing, under peaceful conditions, in an ordinary state; but the whole subject is too large to be treated here.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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But when I was a little kid, I was always writing stories and illustrating little books that I would create.
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That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.
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I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.'
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I don't have many friends. It's not because I'm a misanthrope. It's because I'm reserved. I'm self-contained. I get all my adventures in my head when I'm writing my books.
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There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
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Fundamentally, all writing is about the same thing; it's about dying, about the brief flicker of time we have here, and the frustration that it creates.
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The real transformation of the world comes not from what we are doing but from the consciousness from which we are doing it.
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I choose not to believe in superstitions. On race day, I have plans that I follow. I don't necessarily think about brushing my hair a certain way or doing certain things that make no sense as it relates to my performance.
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My work never directly addresses the literal subject matter of the photograph, but attempts to ask questions about vision itself.
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To literary critics a book is assumed to be guilty until it proves itself innocent.
