Paolo Bacigalupi Quotes
I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.'
Quotes to Explore
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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Writing is an exploration. You start from nothing and learn as you go.
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I started submitting stories for publication when I was about 15, but it was many years before I sold anything. I don't make my living writing science fiction, so in that sense, I'm still not a pro.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
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Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.
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I love writing songs.
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When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
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Write every day; never give up; it's supposed to be difficult; try to find some pleasure and reward in the act of writing, because you can't look for praise from editors, readers, or critics. In other words, tips that are much easier to give than to take.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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There are no rules to writing a song.
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As much as I enjoy traveling and playing on stage as an artist, I really find my true sense of purpose in a room writing a song.
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Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
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I just have to proceed as usual. No matter what happens, nothing helps with the writing of the next book.
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I always have been a busy person, doing my own housework, helping the Man of the Place when help could not be obtained; but I love to work. And it is a pleasure to write. And, oh, I do just love to play!
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I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.'
