Dick Van Dyke Quotes
Quotes to Explore
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In general, I find that for videos the acting is more realistic.
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As I followed my dream - stayed in-Spirit, that is, inspired - I made more money in the first year after I gave up my employment than I had made in the previous 35 years of my life.
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No man ever prayed heartily without learning something.
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I try to give my best to everything I do. I don't think of housework as beneath my dignity; that's just the way I was brought up.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I'm continuing to learn more about music - it's an ocean, and you can never really say that you know everything. I'm grateful that I'm still living and making music among the greats.
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I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.
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Always the beautiful answer who asks a more beautiful question.
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I grew up in a joint family of 60 people with one kitchen. So I am a firm believer in the family concept.
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All the religious wars that have caused blood to be shed for centuries arise from passionate feelings and facile counter-positions, such as Us and Them, good and bad, white and black.
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He was white and shaken, like a dry martini.
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I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
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I think Dwight loves being number two. I don't think he has any desire to be number one. He wants to be number two no matter where he goes. It's like Avis. 'We try harder.' That's Dwight.
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O Day of days when we can read! The reader and the book, either without the other is naught.
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It really does take a lot of time to make records, to be in the studio and do all that stuff.
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Before and after emancipation, the Negro, in self-defense, was propelled toward the white employer. The endowments of wealthy white men have developed great institutions of learning for the Negro, but the freedom of action on the part of these same universities has been curtailed in proportion as they are indebted to white philanthropies.
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If you can't describe what you are doing as a process, you don't know what you're doing.
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I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
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I think for a lot of us, you know, what 'Hamilton' gave us the opportunity to, what it gave me the opportunity to do, was to go, 'Here's what I've learned in 35 years.'
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The curse of Scottish literature is the lack of a whole language, which finally means the lack of a whole mind.
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I became deaf when I was 18 months old. And I learned to sign when I was 5 years old.
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I had this crazy job, though, when I first got to Los Angeles... I answered this ad in the back of the newspaper to be a telephone psychic, and I did that for two days.
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I'm crazy about Judi Dench.
