Bob Newhart Quotes
Quotes to Explore
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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Neither science, nor the politics in power, nor the mass media, nor business, nor the law nor even the military are in a position to define or control risks rationally.
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Since my father was a superstar, without me knowing it, I became a child star, as my father's entire fan base liked me, and I can't thank my father enough for this, as it was so effortless.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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Bermuda is not even tropical. The charm of the tropics - the heat, the chaos - is not there.
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I'm not sure my achievements have been 'great.'
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Words have no power to impress the mind without the exquisite horror of their reality.
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As a kid, I played my share of football in the street or in a vacant lot. When we were playing in the street, it was more touch football, so we didn't hit each other into cars.
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And harmony means that the relationship between all the elements used in a composition is balanced, is good.
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I know it sounds trite but I wanted to make a difference. Political debates with my father had been fraught because he was uncompromising and explosive but if he taught me one thing it was to air my views.
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I think everything we do, on one level or another, as writers, most of our writing is informed by our world view. It's informed by our own understanding of spirituality; things that matter, things that are important to us. I write about things that matter for me.
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Not one has shown an iota of fear of death. They want to end this agony.
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You have to be really open to your acting partners and believe in the story.
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I certainly derived my skills as a prose writer from my scrutiny of poetry and of the individual word. But schools don't do things like that anymore - tracking words down to their roots.
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I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
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Treat your life like something to be sculpted.
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If our love for each other really is participatory, then all other human relationships nourish it; it is inclusive, never exclusive. If a friendship makes me love Hugh more, then I can trust that friendship. If it thrusts itself between us, then it should be cut out, and quickly.
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When I was a little kid I used to play with guys twice my age, so, I was the last one picked, so if I picked I knew that I had to get the ball to the scorer if I wanted to stay on the court, so that was pretty much my job.
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The time was simply ripe for the disappearance of tonality. Naturally this was a fierce struggle; inhibitions of the most frightful kind had to be overcome, the panic fear, 'Is that possible, then?' So it came about that gradually a piece was written, firmly and consciously, that wasn't in a definite key any more.
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I'm passionate about everything, actually. I'm passionate about life.
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Writing is 1 percent inspiration, and 99 percent elimination.
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Little I ask And that little is not granted." There are few crumbs In this world any more.
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I made a record album in 1960 and it exploded, and I got all these offers for TV.
