Dietrich Fischer-Dieskau Quotes
I came together with younger musicians and tried to pass on my own experiences. In the process, I always tried to maintain my curiosity and spontaneity.
Quotes to Explore
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I can enjoy anywhere, and I can leave it. Life is about moving on.
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Time has lost all meaning in that nightmare alley of the Western world known as the American mind.
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It would be spiteful to put a Jellyfish in a trifle.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I still keep my accent.
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Excellence is not a skill, it's an attitude.
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The greatest thing about being in a band, and the strength of having companionship and collaboration, is also the thing that makes a band break up because then you begin to feel confined. Like, who am I as an individual, as a writer, as a performer?
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I'm an all-or-nothing person.
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I live in a bus and go from place to place and sometimes feel very detached from what's going on.
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It's unfortunate biologically we have to sleep.
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I went to my boss, and I said, 'Look, I'd like to design these ties because I think they could be new.' He said, 'The world isn't ready for Ralph Lauren.' I never forgot that because... I thought that was a compliment.
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An appeal to fear never finds an echo in German hearts.
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I use to live on this street when I was a kid where there was an old person retirement home, and all of the old people would listen to that band Herman's Hermits, and they would wear white nursing shoes. And they would throw away stacks of VHS tapes, and I would go through the trash and take them.
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The sleeplessness is proven; it eradicates your memory.
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It's very simple. You have to be faithful to your other half and not have secrets. That's my rule.
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You must enjoy the journey because whether or not you get there, you must have fun on the way.
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Nothing leads so straight to futility as literary ambitions without systematic knowledge.
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I was able to participate in New York Fashion Week and walk down the runway. I participated in a pizza contest in Canada.
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I liked George Weiss when he was with the Yankees. He loved the Old Timers' Day. He loved it. And he invited all these people to come, all these players to come.
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For me, writing post-apocalyptic novels isn't so much about exploding helicopters and fifty-megaton doomsday bombs as it is about the pleasure of dealing with the best of everything that makes us human: cleverness, grit, loyalty, and self-sacrifice.
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I left my job in the fall, and now I can set my life up around writing instead of squeezing writing into my day; it's amazing to have that time, and I feel very lucky.
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A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it.
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I never studied with Balanchine, but his work was very important to me.
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I came together with younger musicians and tried to pass on my own experiences. In the process, I always tried to maintain my curiosity and spontaneity.
