Dietrich Fischer-Dieskau Quotes
You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.
Quotes to Explore
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There's always going to be a part of me that worries about not looking as slim as other actresses.
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The options are war versus peace, and I am delighted that, so far, it appears that peaceful negotiation has won the day.
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Remain calm, serene, always in command of yourself. You will then find out how easy it is to get along.
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Ascetics and fakirs come to mitigate human suffering; to heal us and lead us on the path. They put up with criticism; they go through many worldly trials. Some of them have even become martyrs for our sake. But they have done all this with a smile and with gratitude to God. Hence sacrifice is a great virtue.
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Palestinian propagandists can say and do anything they please without concern for the truth, in the belief that if they repeat it often enough it will simply become the truth.
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I once went to one of those parties where everyone throws their car keys into the middle of the room. I don't know who got my moped, but I drove that Peugeot for years.
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The advice I would give to someone is to not take anyone's advice.
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He who improves an opportunity sows a seed which will yield fruit in opportunity for himself and others.
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I won't ever direct a film. And I certainly won't write an autobiography. Only self-obsessed people want to write or talk about themselves!
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I'm blessed. I have a 13-year-old girl's eye and a 14 year-old boy's eye. I've been given the gift of sight by people who decided to donate organs. I try to do as much organ-donor work as I can.
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Young people have so many letdowns that people don't realize.
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The moment you start to talk about playing music, you destroy music. It cannot be talked about. It can only be played, enjoyed and listened to.
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You have injuries that bother you when you're not playing. When that horn blows, you don't feel it.
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You gotta live life before you can talk about it. Sometimes when things don't work out in life, they work out on stage.
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Fame came quickly. I was only 19 when I secured my initial recording contract and my first two hit records - 'Are 'Friends' Electric?' and 'Cars' - were number ones.
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I don't regret the passing of time. I try to live in the present, which should mean my life's full.
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It was around the summer of 1982 when the drug problem really impacted. It became a lifestyle rather than a recreation. When you start lying and stealing, you cannot con yourself you're in control any more.
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The journey matters as much as the goal.
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There is a latent anger in a lot of people that went to boarding school at an early age. I was eight. And I loved it over the five years, but I think the adjustments for eight-year-olds are a lot. And I think it informs who you are for a long, long time.
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Sexual Personae seeks to demonstrate the unity and continuity of western culture - something that has inspired little belief since the period before World War I.
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All of the writing on '30 Rock' is a joy to go into. It's pretty hot stuff.
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The character that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where I almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.
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'EastEnders' has been wonderful to me and it's no secret that it changed my life all of those years ago. I'll be so sad to leave Peggy behind; she's such a wonderful character to play. I have had the pleasure of working with a marvelous cast and crew and have made many lasting good friends.
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You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.
