Dimitri Payet Quotes
Quotes to Explore
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In 2005, I had one more year of college left, and I was taking a summer class in Barbados. I got discovered in the airport on my way back and started modeling at the beginning of my senior year at Bucknell.
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I always point out to my Passover guests that the Hebrews were not living in isolation. They were at the crossroads of several great, elaborate cultures with their own mythology and religion and art and architecture and cultural belief. In fact, so many of the mythologies of the world describe the same events, just from different points of view.
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Religion is essentially the art and the theory of the remaking of man. Man is not a finished creation.
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Those guys were made for me and Muhammad because they come straight in and don't back up but you had to watch out for his punching power but if we could have neutralized that then we would have been fine.
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If you're not kind, then you won't be attractive to me personally because that spirit shines through and makes people attractive.
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A real friend is one who walks in when the rest of the world walks out.
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When team members trust each other and know that everyone is capable of admitting when they're wrong, then conflict becomes nothing more than the pursuit of truth or the best possible answer.
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Ultimately, I hypothesize that technology will one day be able to recreate a realistic representation of us as a result of the plethora of content we're creating converging with other advances in machine learning, robotics and large-scale data mining.
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As I went to college, I went into radio and television. Now I suppose most people think that's one step ahead of basket weaving as a major in college, but it was part of the journalism department.
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Pride the first peer and president of hell.
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A lot of people thought I wasn't doing anything because I was spending a lot of time socialising and going out, but I've always managed to get work actually done.
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I sort of fall apart in terms of stamina after about 25 minutes!
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Writing is my love. If you love something, you find a lot of time. I write for two hours a day, usually starting at midnight; at times, I start at 11.
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I can't help but laugh at how perfect I am.
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I think of myself as a very ordinary person. I like writing about the juxtaposition between people: the beauty of them at times and then the banal, everyday context in which we find ourselves.
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Be of love a little more careful than of anything.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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I enjoy not knowing everything about a musician I like. At a time when you can find out a popstar's favourite animal, I think it's more exciting not to know. I just don't want to tell everyone everything.
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I get excited by being in the studio and could never get burnt out in there.
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At 11, I went to live with my maternal nan and granddad temporarily, after my parents separated, and Nan would let me have a go on her piano. My grandparents were like something out of the Noel Coward play, 'This Happy Breed,' and it was magical to hear them sing music-hall songs.
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Historically, I think you can really judge a person by their shoes.
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What scares me? Oh, now that's a big question. I don't know what scares me – cockroaches, nuclear apocalypse. Fear is an interesting thing. It has a place in all of our lives. I try to be as fearless as possible. I don't always succeed, but I like to think I try.
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Here in England we live at a slower pace, have more time to enjoy things - like good jazz.
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When I am happy on the pitch, it's because everything is going well off it.
