Dinesh D'Souza Quotes
Quotes to Explore
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Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
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From the age of eighteen to twenty-one, I worked any job I could get my hands on. One of these jobs was selling fake paintings door-to-door.
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I have written a lot about the fine arts, but I'd never written about the literary arts, and so on some level Dante really, you know, spoke to me, as new ground but also familiar ground.
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The seven deadly sins: Want of money, bad health, bad temper, chastity, family ties, knowing that you know things, and believing in the Christian religion.
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The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
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The 'We Have Overcome' generation has run out of intellectual creativity but refuses to leave the political stage.
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I am a Zionist.
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Almost everyone thinks they are a good person, but the question you should be asking is, am I good enough to go to Heaven? How would you know?
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The world is mud-luscious and puddle-wonderful.
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I don't feel as if I belong to an age group.
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Do you know what I love about hunting? That I am no one in the woods, no one at all. I thought the animals might recognize me, but they didn't. They did not even ask me for any autographs.
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I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.
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When I want to understand what is happening today or try to decide what will happen tomorrow, I look back.
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What is the future of the woman's movement? How in the hell do I know? I don't run it.
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Government is the ultimate monopoly. And monopolies, as any economist will tell you, often breed complacency and a lack of innovation.
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I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
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Diverse forms of memory can have a variety of gaps. Thus it is possible for me to represent a past situation to myself and be unable to remember my inner behavior in this situation. As I transfer myself back into this situation, a surrogate for the missing memory comes into focus.
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What do you want me to do, rob a bank?
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For me, it's not about breaking big in Hollywood, but having interesting experiences.
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I've often wondered if the trade-off for growing up in the relative newness and freshness of the West Coast was befuddlement when it comes to historical preservation. We don't have many old things, and we don't really know what to do with the few that are around when our default response is to compost or field burn.
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In documentary, mostly, people are going to say untoward things; people are going to have gnarly beliefs. People aren't perfect.
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The two things that can hurt you are if you need money or if you need fame. Those are the things that can be your Achilles heel. But if you don't need money and you don't need fame, then you're free.
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The money has to go to the federal government because the federal government will spend that money better than the private sector will spend it.
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I want to give Michael Moore a run for his money.
