Martine Syms Quotes
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Representation is a sort of surveillance.
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My mum was very interested in art and liked to write, and my dad was a hobbyist photographer.
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I think the medium or format of distributing things has its own characteristics. I think that an exhibition can communicate certain things that a video can't, and publications communicate that in a different way.
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My family, my background... it just parallels really nicely with a lot of social and cultural movements.
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Pipilotti Rist is a Swiss video artist I learned about pretty early on. She's one of the first contemporary artists I knew about and was really drawn to.
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Los Angeles is an uncanny place to live. It has many science fiction qualities. For example, when I'm standing in line at the supermarket and I recognise the person in front of me, but I can't figure out how I know them. Suddenly, I realise I saw them in some random commercial six years ago.
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I grew up watching tons and tons of television. It was all I would do, especially during summer vacations.
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I'm interested in the economy of words and forms: jokes, aphorisms, copywriting, advertising, that way of writing when meaning has to be squeezed into as few words as possible.
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It's very comforting to feel myself getting stronger.
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I didn't really grow up with any traditions. I grew up in a pretty liberal household in Southern California. I think that's part of my interest in thinking about heritage. I don't have a second language or cultural heritage in that way.
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I had a studio visitor ask me when a piece was complete, and afterward, I realized I was kind of annoyed by the question. I wrote down to myself, 'Nothing's ever finished' as an operating value.
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I'm so voracious with books, movies, TV, and I'm always interested in the way that different cultural values are presented or, in their absence, are present.
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I think of entrepreneurship as a way of creating value.
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I was very conscious of the film industry - a lot of people, neighbors, worked in it. I actually grew up doing a bit of extra work myself. I was homeschooled, and it was a way that I could make money. My parents let us do these jobs, and I never got very far, but I was much more interested in what everybody else was doing, and I liked being on set.
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I have said it before and I will continue to say that I don't think art is the most effective form of protest. I don't think it changes policy; I think it changes discourse, and discourse can change ideas, and for me, that's what it's about: having that space for conversation.
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I guess I can be a little mischievous!
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One of my early memories is of a white girl twirling in a circle. I realized later on that it was from that show 'Small Wonder' - the oldest I could have been when I was watching it was four or five, but it's one I think about a lot. It's stuck in my head, this terrible Fox television show.
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I grew up in Altadena, California.
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Entrepreneurs create value; I wanted to create ideas that became machines for making value.
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If some things don't make me feel good, I stop them. How simple, yet so hard to do.
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I'm really obsessed with this show right now called 'Power,' produced by 50 Cent.
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I grew up in Los Angeles. I watched lots of television; I still watch lots of television.
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I never understood why anyone cared about the Kardashians until a friend, who's Latina, told me that she liked them because they're a family who look like hers. I was able to appreciate them differently.
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It's weird how the Internet changes everything. The kind of narrow casting... instead of reaching for a broad audience, you are reaching for a more targeted audience.