DMX (Earl Simmons) Quotes
Quotes to Explore
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I'm an escapist kind of writer.
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The loss of life will be irreplaceable.
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No writer need feel sorry for himself if he writes and enjoys it, even if he doesn't get paid.
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All those things you hear about networks trying to stifle creativity - CW lets creators create and gives us freedom.
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When we begin to desire a thing, to yearn for it with all our hearts, we begin to establish relationship with it in proportion to the strength and persistency of our longing and intelligent effort to realize it.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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Whenever I come across an Arabic word mired in English text, I am momentarily shocked out of the narrative.
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I'm building shopping centers and movie theaters in the inner cities. So that means supplying jobs and letting blacks understand that we have to build our communities back, not looking to anybody else.
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As a New Yorker, or wherever I am, I just want to know I can get our of the house in five minutes if I have to and not have to spend a bunch of time obsessing in the mirror, trying on a million different options. Now, I just know what works.
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As a writer and a mom, I wish I could split into two or three different people so I could be with my kids all day, write all day, and go out and do the interviews all day. Multiplicity woman!
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Just being in the gym every day with someone with goals in common is special.
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Men are irrelevant.
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I grew up in Scotland, and everyone wore Barbour. It's very practical; it's very outdoorsy. It's what the gamekeepers and the fishermen and the farmers would wear.
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I'm not radical.
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He that communicates his secret to another makes himself that other's slave.
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Books like friends, should be few and well-chosen.
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Hollywood panders to the 18-to-34 crowd. That demographic doesn't care about race and the package it comes in. They care about the hottest chick. They just like hot chicks.
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I am exceedingly lucky that my voice, along with perfect pitch and perfect rhythm, was given me at birth.
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Normally, when one passes someone on the street who is in pain, one either tries to help him, or one simply looks the other way. With a photo there's no human decision; you're not there; you can't turn away; you simply gape. It's a form of voyeurism.
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Now here I am almost 52 years old, it's really easy. I'm way more at peace. But when you're a competitor, and you're as intent on becoming the best in the world as I was, it comes with consequences.
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A lot of my background is in theatre, so when you're on location, and the wind is really blowing, it's raining, and you've got mud all over you, it really keeps you on your toes.
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Half my life is an act of revision.
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I'm used to driving fast; I'm a New Yorker.
