Calvin Trillin Quotes
Quotes to Explore
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I've always been a bit of a poser. I was chucked out of ballet lessons for looking in the mirror.
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Acting was a slow-burn thing. I found it was something I really, really liked doing, but it wasn't until my third year at drama school that I actually thought, 'Oh, right, I'm trained for this now; I'd better see if I can do it.'
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My perspective was always being on a number one show doesn't mean anything if I'm not still working consistently at 40 to 50 and 60 years old.
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Always forgive your enemies - nothing annoys them so much.
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I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
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I gave up painting by 16. I secretly thought I would have been Rembrandt by then.
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I've always been a huge reggae fan.
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It was always fun to skate with Paul Wylie and Paul Martini.
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When I go abroad I always sail from Boston because it is such a pleasant place to get away from.
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I always paid attention to Lil Wayne - close attention. He's my idol. He's still my idol.
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I used to be really insecure about my self-education. I'm definitely always learning. But there's many ways to learn. There are many, many ways to always be a learner.
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She missed him the days when some pretext served to take him away from her, just as one misses the sun on a cloudy day without having thought much about the sun when it was shining.
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I've always loved Def Leppard, ever since I was little.
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Acting was something that I grew up just doing. I certainly never thought about it.
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The ancestor of every action is a thought.
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I read some of my stories recently and thought, 'How in the hell did I get away with that?' I had some really raw cynicism in some of them.
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I'm not confident around compliments or being celebrated, and I'm not comfortable with the thought of envy, which some people thrive on.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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It is apparent at first glance that in The Double there is more creative talent and depth of thought than in Poor Folk. But meanwhile the consensus of St. Petersburg readers is that this novel is intolerably long-winded and therefore terribly boring.
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When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
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I wrote my book to free myself from it, not to be its prisoner.
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For the Chinese, the Greeks, the Mayans, or the Egyptians, nature was a living totality, a creative being. For this reason, art, according to Aristotle, is imitation; the poet imitates the creative gesture of nature.
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Well, I think that Augusta is not the same golf course that I grew up on. Bobby Jones' philosophy was giving you space off the tee; if you put it in the right side of the fairway, you ended up getting the right angle to the green.
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I've always thought that parallel parking was my main talent.
