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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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To all my people back in Nashville who have been there from the start, you put your faith in me. You were there for the long haul.
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I didn't really know you could make a living in songwriting. I was just very fortunate to have the opportunity to play a few songs for a guy there named Jimmy Ritchey. Through that meeting, I met another couple guys and ended up getting a publishing deal in Nashville.
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With a song called 'House Party,' you'd expect it to be more about a big party, not as much about a relationship, so we tried to put a little bit of a unique twist on it.
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My style, in terms of what I wear, is kind of representative of the music.
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Some people don't like long bus rides, but I love them. There's sort of a sense of solitude.
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I still get excited about it. I miss playing ball.
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There's a system in place in Nashville, and for a long time, I was trapped in this idea that the only way to do it was to come to town, get a record deal, and do it the way they say. And that system works. But it caters to a specific kind of artist, and I didn't necessarily fit that mold.
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I'm not in control of my fate, and that's a good thing.
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I'm going to put music out when I feel like it's ready.
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I had a couple CDs. But I never had that first concert experience, that first record thing.
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I kept hearing all these rules: 'You can't say that in country music.' 'You can't use that kind of beat.' I became so frustrated. It may have slingshotted me, in a rebellious way, toward doing something different.
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As much as I enjoy traveling and playing on stage as an artist, I really find my true sense of purpose in a room writing a song.
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I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.
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I'm still learning a lot as a songwriter. I try to write down and make a note of ideas that I cross paths with on a day-to-day basis, whether it be a conversation or something I hear on the radio, seeing a movie, or just thoughts in my head as I'm walking down the street.
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Traditionally, music has been a means of separating ourselves as people from another group of people.
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To me, country songs are simple.
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Obviously, I love country music, so I wanna be able to live in the country music genre and then play to country music fans.
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The things that are going to be in all my records, for as long as I'm making them, are going to go back to who I am and where I'm from and the lifestyle that I live and come from - and I don't know how I could ever get any of that close enough to pop to be considered a pop act.
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It wasn't until I was 18, when I was graduating high school, that I went and bought a guitar on a whim.
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I grew up really close to Alabama, about 10 minutes from the Alabama line. We'd make trips to Alabama, and I feel at home there.
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I didn't know what to expect, having not been an artist before. From the outside, you only see romantic snapshots of what seems like a great lifestyle, and it is, but it's also grueling.
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People sniff out when you try to fake something or be something you are not.
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Putting out music as it's made, versus holding it until an album's finished, allows me to be more timely and maintain balance.