Don Mattingly Quotes
I'm always writing at night - things I would change, things I would do differently. When I write a note, it sticks in my head differently.
Quotes to Explore
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By 9:30 at night, I go to bed.
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Strange things blow in through my window on the wings of the night wind and I don't worry about my destiny.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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I love writing songs.
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Hard writing makes easy reading.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
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I am a great procrastinator. When the writing is going really well, the laundry piles up.
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There are a lot of things I can take, and a few that I can't. What I can't take is when my older brother, who's everything that I want to be, starts losing faith in things. I saw that look in your eyes last night. I don't ever want to see that look in your eyes again.
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If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
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One in four children being victimized? That's about seven children in every classroom. That's a significant proportion of the population.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.
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Folklore has a moral center to it. Folklore is always, always, always on the side of the underdog, and children have a natural instinct towards justice. They feel indignation at needless cruelty and wistfulness about acts of mercy and kindness.
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I grew up reading Shakespeare and Mark Twain.
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It happened on 'Laguna Beach' where you don't know what's real and fake, and I saw cast members who couldn't distinguish what was real and what was fake anymore. It was kind of scary to see, so I kept them very separate so that I didn't go crazy.
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In low comedy, a character gets hit in the head, and you don't really believe it. In farce, he's hit in the head, but he must be hit in the head. The character requires it.
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I'm always writing at night - things I would change, things I would do differently. When I write a note, it sticks in my head differently.
