Bobbi Kristina Brown Quotes
Of course we had our arguments; we had everything, but at the end of the day, that was still my mother, my confidante - my everything.
Quotes to Explore
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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There was a point where I really felt I had 'penniless divorcee lone parent' tattooed on my head.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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You need to have camaraderie in the clubhouse. Wherever you're working, be it a baseball team or at a business, you want to walk in there and say, 'Geez, it's great to be at work. Let's go get 'em,' as opposed to walking in there knowing there's going to be a commotion.
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I don't care about revenues.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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Going to parties usually makes me feel depressed, just because I have such social fear after meeting people.
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Those who speak up, those who use their connections, are more likely to succeed than those who sit and wait.
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I was under the false impression that I could sing in high school, so I did a lot of musical stuff. I can't sing or dance, so that was entertaining for everyone.
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I don't want to be competing in a sport where I feel that I'm here not on my talent and my hard work but because of a piece of equipment.
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Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.
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When I approach guys in certain situations and talk to them about Christ, they know that I'm speaking to them in a way that's real.
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With publicity comes humiliation.
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By five or six, when the heels start to hurt, I kick off my shoes and walk bare feet. But that's not a big deal. Nobody else is at the office at that time, and as for singing loudly, I don't sing loudly. I might hum a tune at times when I am thinking about something, but that's all fine.
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When I went to Africa, I was reduced to floods of tears every day.
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I did two or three plays every summer.
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There is simply no room for racial, hurtful language spoken to your colleagues or anyone else.
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I definitely have the screenwriting itch.
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I have an older sister who sounds, unfortunately, exactly like me, and we sound like our mother did.
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All of them - my father, mother, step-mother, and grandmother - were all wonderful actors and performers and they are an inspiration to me, both in their craft and in their humanity.
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A theory has only the alternative of being right or wrong. A model has a third possibility: it may be right, but irrelevant.
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My trumpeting sounds like a goose farting in the fog.
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Chicago is the product of modern capitalism, and, like other great commercial centers, is unfit for human habitation.
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Of course we had our arguments; we had everything, but at the end of the day, that was still my mother, my confidante - my everything.
